Crocodile

XTC · Nonsuch [1992]

Crocodile, no, you won't make me jealous

That she left me for him



Scene one standing

Crushed on landing

You may have walked out

But I'll swallow up my fate



Scene two sitting

Man in kitchen

Bit and cold lifeless

Like the burger on my plate



But there's one emotion I'm afraid of

Hear him scratching gently to be fed

I can't stand it when he sits there smiling

I don't want him nesting in my head



Crocodile, no, you won't make me jealous

That she left me for him, so get away

Crocodile, no, you won't make me jealous

I'm not letting you in



Scene three lying

(Through his backteeth)

Speared and dying

(Bitten beneath)

I'll crawl the wall to hand there

Skinned and stuffed with drink



But there's one emotion I'm controlling

Green eyed monster with his jaws spread wide

(But he's your pet now)

I can't stand it when he sits there crying

(You can't run away and hide)

I don't want to throw myself inside



Crocodile, no, you won't make me jealous

That she left me for him, get away

Crocodile, no, you won't make me jealous

I'm not letting you in, so get away



Crocodile, no, you won't make me jealous

That she left me for him, so get away

Crocodile, no, you won't make me jealous

I'm not letting you in, oh, get away



Crocodile with the jaded, jealous smile

Crocodile with the jaded, jealous smile

Crocodile with the jaded, jealous smile

Crocodile with the jaded, jealous smile

Crocodile

XTC's "Crocodile" stands as a defining track from their 1992 album Nonsuch, capturing the band's signature blend of art-rock intricacy and whimsical storytelling. During this era, the group moved away from their earlier new wave energy toward a more sophisticated, orchestral sound that emphasized complex arrangements and lyrical depth. The song exemplifies their ability to merge playful imagery with a melancholic undercurrent, a hallmark of their mature discography. As part of a celebrated body of work, the recording showcases the band's evolution into a studio-centric ensemble, prioritizing texture and composition over live performance dynamics. This piece remains a testament to their enduring influence on alternative rock, offering listeners a glimpse into a period where their songwriting reached a peak of creative refinement and emotional resonance.