Garden of earthly delights
XTC · Oranges & Lemons [1989]
Can't all think like Chekov but you'll be okay
Kid, is this your first time here? Some can't stand the beauty
So they cut off one ear but you'll be okay
Welcome to the garden of earthly delights
Welcome to a billion Arabian nights
This is your life and you do what you want to do
This is your life and you spend it all, this is your life
And you do what you want to do, just don't hurt nobody
And the big reward's here in the garden of earthly delights
Kid, pick up with another, some will even drop you
But hearts are built like rubber, so you'll be alright
Kid, swallow but believe us, you won't die of boredom
Should you have to leave us, it'll be alright
Welcome to the garden of earthly delights
Welcome to a billion Arabian nights
This is your life and you be what you want to be
This is your life and you try it all, this is your life
And you be what you want to be, just don't hurt nobody
'Less of course they ask you in the garden of earthly delights
Welcome to the garden of earthly delights
Welcome to a billion Arabian nights
This is your life and you do what you want to do
This is your life and you spend it all, this is your life
And you do what you want to do, just don't hurt nobody
Welcome to the garden of earthly delights
Welcome to a billion Arabian nights
Welcome to the garden of earthly delights
Welcome to a billion Arabian nights
This is your life and you be what you want to be
This is your life and you try it all, this is your life
And you be what you want to be, just don't hurt nobody
'Less of course they ask you in the garden of earthly delights
Garden of Earthly Delights
Released on XTC's 1989 album Oranges & Lemons, 'Garden of Earthly Delights' stands as a defining track in the band's evolution toward post-punk and art rock. The song features the distinctive vocal delivery of Andy Partridge, blending poetic lyricism with a driving, rhythmic guitar foundation that characterizes the group's mature sound during this era. It reflects the band's continued exploration of complex themes and sophisticated songwriting structures, moving beyond their earlier new wave roots. The recording exemplifies the collaborative effort between Partridge and Colin Moulding, showcasing a production style that prioritizes atmospheric depth and intricate arrangements. As a staple of XTC's discography, the track remains a significant example of late 1980s British alternative music, capturing the tension between intellectual inquiry and emotional expression that defined their catalogue.