Ghetto Model

Master P · Good Side, Bad Side [2004]

[Theresa Esclovon]

I see something I want, and poppy that's you

So I'll just be up front, I'm trying to roll with you

I see you eyeing me, as I am eyeing you

I guess the real in me, attracts the thug in you



[Hook - 2x]

Face like a model, body like a dancer

Turn heads in the club, make you wanna romance her



[Master P]

Drop top candy paint, sitting on spinners

Inureta in the front, in the back is Brenda

Rolita, Lolita

Sipping on tequila baby girl, nice to meet ya

Call me the Mill Man, I love to get paper

And if you single girl, I'd like to date ya

Shake them hips mami, let it dip mami

Rock it like a boat then, work it like a ship mami

Get a grip mami, you're the shit mami

Take you to Joe's, put some'ing on your wrist mami



[Hook - 4x]



[Theresa Esclovon]

I love, your whole thugged out side

That all, just drives me wild

Makes me, wanna be with you

Cause the real in me, attracts the thug in you



[Master P]

Soldier boys where y'all at, soldier girls where y'all at

Girl on the flo', like she doing that Mexican dance

Then the girl, wanna freak me

Hit me on my two-way, say she got some things she wanna teach me

She rubbing on her lip man, touching on my hips man

In V.I.P., almost ripped off my worst band

Whoa, shorty had too many tequilas

But I ain't tripping, cause I'm really starting to feel her

Man this night, it can get like drill

I'm in a throwback jersey, that say P. Miller



[Theresa Esclovon]

I see something I want, and poppy that's you

So I'll just be up front, I'm trying to roll with you

I see you eyeing me, as I am eyeing you

I guess the real in me, attracts the thug in you



[Hook - 2x]

Ghetto Model

Master P's 'Ghetto Model' stands as a defining track from his 2004 album 'Good Side, Bad Side,' encapsulating the raw energy and street credibility that characterized his work during the mid-2000s. The song exemplifies his signature blend of hard-hitting beats and unapologetic lyrical delivery, reinforcing his status as a pioneer of Southern hip-hop and a key figure in the crunk movement. Released during a period where he was actively expanding his influence beyond his own label, the recording reflects the gritty, authentic sound that became synonymous with his discography. It serves as a testament to his ability to craft music that resonates deeply with the culture it depicts, maintaining a consistent tone of resilience and swagger throughout his career.