How I say that I love you

Gilbert O'Sullivan · Irish [2002]

You know I love you what more can I say

Although the words themselves are not my way

For me a kiss that lasts a minute or two

Is how I say that I love you



The tea and toast I bring us up in bed

The pleasure I get when you stroke my head

That I can be there when you use the loo

Is how I say that I love you



And in the end what have we got

If not ourselves then not a lot



My friends they meet a girl and right away

The words I love you are all they can say

That I send flowers with the words guess who

Is how I say that I love you



If meningitis can so easily kill

Surely there are flaws

We're spending millions modifying our food

Could that not be a cause



You know I love you in a special way

Although the words themselves I rarely say

For me it's more than just the things we do

Is how I say that I love you



I found this photo from a few years back

Taken out in Spain

Your hair was longer

But apart from that

You look just the same



You know I love you in my own sweet way

Although the words themselves I rarely say

That I wear most of what you tell me to

Is how I say that I love you

Is how I say that I love you

Is how I say that I love you

How I Say That I Love You

Gilbert O'Sullivan's 'How I Say That I Love You' stands as a quintessential example of his signature romantic balladry, blending traditional pop structures with a distinctively British vocal delivery. Recorded for the compilation 'Irish [2002]', the track exemplifies the melodic sensibilities that defined his career, particularly within the English genre of soft rock and pop. The song reflects O'Sullivan's ability to craft intimate narratives about affection, utilizing a steady rhythm and emotive phrasing that became a hallmark of his discography. While often associated with his broader catalog of love songs, this recording captures the same polished production quality found in his later compilations, showcasing his enduring appeal as a songwriter and performer who prioritized lyrical clarity and melodic catchiness over complex arrangements.