Has Been
Gilbert O'Sullivan · Life & Rhymes [1982]
Like man it's all so hip or was It groovy
Well anyway that's all so yuk
Like a book I didn't read last night
Concerning someone else's wife. whose husband's son
Had ran off with his mother
And you know. if 3 and 2 were multiplied they'd equal 6
Little children started building not with bricks
But with what they had been told was
Advantageous to an old and sort of in between
Has been
I must admit it frightens me to think we take so literally
The fact that you can get away with murder
There ought to be a law against
Common sense of course will not prevail
If people going into jail
Are doing so for fear of unemployment
And you know. what makes a parrot talk
Is really rather cute
What he does is listen close then follows suit
And within a minute. two at best. refers to you
As nothing less than some obscene
Has been
I've never had myself altered. what for
I mean if I did. I'm not sure
I'd be all that happy to see. another me
I wouldn't be at all surprised if I looked you
Straight in the eyes
And saw there were no stars. only your eyeballs
And you know, if two and two were joined
by two they'd equal 6
Little children started building not with bricks
And without even the prompting will bestow on you
The daunting little words that mean
Has been
A sort of In between
Has been
Has Been - Gilbert O'Sullivan
Gilbert O'Sullivan's 'Has Been' stands as a poignant song in his discography, reflecting the melancholic sensibilities characteristic of his work. Recorded for the album 'Life & Rhymes [1982]', the track exemplifies the singer-songwriter's ability to blend personal narrative with universal themes of loss and memory. O'Sullivan's distinctive vocal delivery and lyrical focus on the passage of time resonate deeply within the folk-pop genre, distinguishing his contributions from the broader British Invasion era. The song captures a reflective mood, utilizing simple yet evocative instrumentation to underscore the emotional weight of the subject matter. It remains a notable example of his catalog, showcasing his skill in crafting intimate recordings that prioritize lyrical clarity and atmospheric depth over complex production. The track continues to be recognized for its authenticity and its place within the historical context of mid-20th-century British music.

