Has Been

Gilbert O'Sullivan · Life & Rhymes [1982]

I think a lot about the times when I was old and full on lines

Like man it's all so hip or was It groovy

Well anyway that's all so yuk

Like a book I didn't read last night

Concerning someone else's wife. whose husband's son

Had ran off with his mother



And you know. if 3 and 2 were multiplied they'd equal 6

Little children started building not with bricks

But with what they had been told was

Advantageous to an old and sort of in between

Has been



I must admit it frightens me to think we take so literally

The fact that you can get away with murder

There ought to be a law against

Common sense of course will not prevail

If people going into jail

Are doing so for fear of unemployment



And you know. what makes a parrot talk

Is really rather cute

What he does is listen close then follows suit

And within a minute. two at best. refers to you

As nothing less than some obscene

Has been



I've never had myself altered. what for

I mean if I did. I'm not sure

I'd be all that happy to see. another me



I wouldn't be at all surprised if I looked you

Straight in the eyes

And saw there were no stars. only your eyeballs



And you know, if two and two were joined

by two they'd equal 6

Little children started building not with bricks



And without even the prompting will bestow on you

The daunting little words that mean

Has been

A sort of In between

Has been

Has Been - Gilbert O'Sullivan

Gilbert O'Sullivan's 'Has Been' stands as a poignant song in his discography, reflecting the melancholic sensibilities characteristic of his work. Recorded for the album 'Life & Rhymes [1982]', the track exemplifies the singer-songwriter's ability to blend personal narrative with universal themes of loss and memory. O'Sullivan's distinctive vocal delivery and lyrical focus on the passage of time resonate deeply within the folk-pop genre, distinguishing his contributions from the broader British Invasion era. The song captures a reflective mood, utilizing simple yet evocative instrumentation to underscore the emotional weight of the subject matter. It remains a notable example of his catalog, showcasing his skill in crafting intimate recordings that prioritize lyrical clarity and atmospheric depth over complex production. The track continues to be recognized for its authenticity and its place within the historical context of mid-20th-century British music.