Honey Come Back

Roy Drusky · All American Country (Spectrum) [1986]

(Jim Webb)



Well honey, I know I've said it too many times before

I said I'd never say it again

I guess I shouldn't say anything at all

Since you're supposed to belong to him

But I just can't let you go

Without tellin' you just how much I love you

So that is why I'm gonna say it one more time.



Honey, come back I just can't stand

Each lonely day's a little bit longer

Then the last time I held you seems like a hundred years ago

Back to his arms and never know

The joy of love that used to taste like

Honey, come back where you belong to only me.



Well, I guess that's about all I've got to say

So I'm gonna take my bags and I'm gonna walk

I know those bright lights are callin' honey

Big fine cars and fancy talk

But if you ever want somebody to just love you

And some day you might

Just give me a call

You know where I am and here's what I'll say.



Honey, come back I just can't stand

Each lonely day's a little bit longer

Then the last time I held you seems like a hundred years ago

Back to his arms and never know

The joy of love that used to taste like

Honey, come back where you belong to only me...

About Honey Come Back

Roy Drusky's "Honey Come Back" stands as a quintessential example of his polished country-rock sound, characterized by smooth vocals and a melodic structure that defined his mid-to-late career recordings. Released on the *All American Country* album, the track exemplifies the genre's blend of traditional storytelling with a modern, radio-friendly sheen that Drusky mastered throughout the 1970s and 1980s. The song reflects the era's emphasis on romantic themes and polished production, fitting seamlessly into his broader discography of hits that showcased his ability to appeal to a wide audience while maintaining a distinct vocal identity. As a staple of his catalog, the recording captures the essence of country music's evolution during this period, offering a timeless appeal that highlights his status as a significant figure in the genre's history.