Capable

Bear Quartet · Gay Icon [2001]

With a high tolerance

for sad events

You were the one

I used to hurt someone else

I'm the bystander

The untrustworthy hand

Now you see me

in everything you can't stand



How many times

must I repeat this:

I am capable

Capable to love, I am

Capable to give and to receive

I am capable

Capable, I'm capable

I'm capable to love I am

Capable of cruelty but I try

Not to be cruel



A decade so lonely

Only death wishes grew

If you think it's a joke

Or worse a lie then fuck you

Guess that I needed

To say it out loud

That's how it was

The wrong language and time



I want to be held

And to hold back now

I am capable to love

Capable to love, I am

Capable to give and to receive

Capable

Capable, I'm capable

Capable to love, I am

Capable of cruelty but I try

Not to be cruel



You can't take my dreams I repeat:

I am capable of love

capable to love I am

capable to give and to receive

I'm capable

capable, I'm capable

capable to love I am

capable of cruelty but I try

not to be cruel

I am capable of love

capable of love I am

capable to give and to receive

I'm capable

capable, I'm capable

capable to love I am

capable to give an to receive I am

Capable - Bear Quartet

Released on the 2001 album Gay Icon, "Capable" stands as a defining track in the post-punk revival of the early 2000s. The Bear Quartet, a seminal group from the UK's Sheffield music scene, blended raw energy with melodic sensibilities that resonated deeply with fans of the era. Their sound was characterized by a driving rhythm section and sharp, articulate vocals that cut through the noise of the time. This recording captures the group's ability to fuse indie rock with a distinct, gritty atmosphere that became a hallmark of their discography. The song reflects the broader cultural zeitgeist of the early 2000s, offering a sound that was both accessible and critically acclaimed. It remains a staple for those exploring the evolution of British indie and the specific sonic landscape of the Sheffield scene during its peak influence.