I Wish I Was a Little Boy Again

Lynn Anderson · Rose Garden/You're My Man [Columbia] [1999]

(Glenn Sutton - Darrell Edwards)



Just a few short years ago I'd played a lot with Bill and Joe

They seemed to think that I was quite a guy

I could climb the highest tree and they would always follow me

We had friendship I thought would never die.



But soon I've change from tomboy girl and grew into a woman's world

And moved away leaving my old friends

Now I'm miles and years away but I still dream of childhood days

And I wish I was a little boy again.



But girls grow into women and boys grow into men

And the world of make believe, oh, too soon must end

And I blame that awful change for the shape my life is in

Oh, how I wish I was a little boy again.



I married someone they don't know a social lead they're far below

The kind of life that I now have to live

The man I married is cold to me but though he's wealthy just can't see

That love cannot be bought it has to give.



I wish I'd chosen one of them instead of being here with him

If I could leave right now I think I'd go

I'd trade this mansion I hate so for a small tree house with Bill or Joe

I wish I was a little boy again.



But girls grow into women and boys grow into men

And the world of make believe, oh, too soon must end

And I blame that awful change for the shape my life is in

Oh, how I wish I was a little boy again.



Oh, how I wish I was a little boy again...

I Wish I Was a Little Boy Again

Lynn Anderson delivers a tender, nostalgic ballad in this recording, reflecting on the desire to return to childhood innocence. The song captures a universal sentiment of longing for simplicity and purity, characteristic of Anderson's emotive delivery within the country genre. Released on the Columbia label, the track appears on the compilation Rose Garden/You're My Man, which gathers her popular material from the early 1970s. Anderson's voice, known for its warmth and clarity, serves as the focal point, allowing the lyrics to resonate with listeners seeking comfort in the idea of starting over. The composition stands as a poignant example of her ability to explore themes of memory and emotional vulnerability, fitting seamlessly into the broader catalog of her work from that era.