I Wish I Was a Little Boy Again
Lynn Anderson · Rose Garden/You're My Man [Columbia] [1999]
Just a few short years ago I'd played a lot with Bill and Joe
They seemed to think that I was quite a guy
I could climb the highest tree and they would always follow me
We had friendship I thought would never die.
But soon I've change from tomboy girl and grew into a woman's world
And moved away leaving my old friends
Now I'm miles and years away but I still dream of childhood days
And I wish I was a little boy again.
But girls grow into women and boys grow into men
And the world of make believe, oh, too soon must end
And I blame that awful change for the shape my life is in
Oh, how I wish I was a little boy again.
I married someone they don't know a social lead they're far below
The kind of life that I now have to live
The man I married is cold to me but though he's wealthy just can't see
That love cannot be bought it has to give.
I wish I'd chosen one of them instead of being here with him
If I could leave right now I think I'd go
I'd trade this mansion I hate so for a small tree house with Bill or Joe
I wish I was a little boy again.
But girls grow into women and boys grow into men
And the world of make believe, oh, too soon must end
And I blame that awful change for the shape my life is in
Oh, how I wish I was a little boy again.
Oh, how I wish I was a little boy again...
I Wish I Was a Little Boy Again
Lynn Anderson delivers a tender, nostalgic ballad in this recording, reflecting on the desire to return to childhood innocence. The song captures a universal sentiment of longing for simplicity and purity, characteristic of Anderson's emotive delivery within the country genre. Released on the Columbia label, the track appears on the compilation Rose Garden/You're My Man, which gathers her popular material from the early 1970s. Anderson's voice, known for its warmth and clarity, serves as the focal point, allowing the lyrics to resonate with listeners seeking comfort in the idea of starting over. The composition stands as a poignant example of her ability to explore themes of memory and emotional vulnerability, fitting seamlessly into the broader catalog of her work from that era.

