The Fantasy

30 Seconds to Mars · A Beautiful Lie [2005]

With the lights out it's a little less dangerous

Even with a stranger never gets painless

Don't be afraid



Every time I think I'm gonna change it

It's driving me insane



Do you live, do you die, do you bleed for the fantasy?

In your mind to your eyes, do you see?

It's the fantasy



Maybe tonight we can forget about it all

It could be just like heaven

I'm a machine

No longer living, just a shell of what I dreamed



Do you live, do you die, do you bleed for the fantasy?

In your mind to your eyes, do you see?

It's the fantasy



Say it, say it, say it to believe

Say it, say it to me



Do you live, do you die, do you bleed for the fantasy?

Automatic, I imagine, I believe



Do you live, do you die, do you bleed for the fantasy?

Do you live, do you die, do you bleed for the fantasy?

In your mind to your eyes, do you see?

It's the fantasy

Automatic, I imagine, I believe

Automatic, I imagine, I believe



Say it, say it, say it to believe

(Automatic, I imagine, I believe)

Say it, say it to me

(Automatic, I imagine, I believe)

Say it, say it, say it to believe

(Automatic, I imagine, I believe)

Say it, say it to me

Automatic, I imagine, I believe

I believe, I believe, I believe

The Fantasy - 30 Seconds to Mars

Released on the 2005 album A Beautiful Lie, "The Fantasy" stands as a defining track in the discography of 30 Seconds to Mars. The song exemplifies the band's signature blend of alternative rock and electronic textures, characterized by Jaren Lewison's emotive vocals and layered synthesizers. As a centerpiece of the record, it captures the introspective and dramatic themes prevalent in their mid-2000s work, bridging the gap between their early indie roots and their mainstream breakthrough. The recording reflects the era's shift toward polished, radio-friendly rock while maintaining the group's distinct atmospheric identity. It remains a staple of their catalog, often cited alongside hits like "Kings & Queens" and "Hurricane" as a key representation of their evolving sound during this period.