Creepers

Kid Cudi · Other Songs - Kid Cudi

[Hook]

Yeah, I see you waitin' over there

See you jockin' over there

See you lookin' at my girl over here

Why you worried 'bout this girl over here?

Keep your eyes over there, it is creepy when you stare

Turn my head and hey

I see you waitin' over there

I see you jockin' over there

Thinkin' bout your own life

Why you talkin' 'bout the young, you dig?

I'm just doin' my thang, if you know what I mean, get it right

And they think they know and they think they know

They deal it for real

I'm just doin' my thang, if you know what I mean, get it right

And they think they know, and they think they know

They deal it for real

I'm just doin' my thang, if you know what I mean, yo



[Verse 1]

I don't love who I am so I'm workin' on a fix

I don't need a bitch trying to tear my mind on my grip

If I had one wish it'd be to have more wishes, duh

Fuck tryna make it rhyme throw them stones, with your bitch ass

Cutting me deep and even though I bleed I stand alone

Alone I'll be, heart of a lion still shining on your sucka ass

Work it, work it, work it, for inner peace

Fightin' for the freedom of my soul, I can hear the speech

Yeah I mumble while I'm trippin on so many pills

Hah, they figured that, they know I'm ill



[Hook]

About Creepers

Kid Cudi's "Creepers" stands as a defining track from his early experimental phase, blending hip-hop with psychedelic and electronic elements that would characterize his later work. Released during a period of intense creative exploration, the song features Cudi's distinctive falsetto and introspective lyrics, creating an atmosphere of vulnerability and surrealism. While often associated with his debut album *A Kid Named Cudi*, the track exists as a standalone recording that showcases his ability to merge personal narrative with genre-bending production. The piece reflects the influence of indie rock and electronic music on his sound, establishing a foundation for his evolution into a more polished and widely recognized artist in the mid-2000s. It remains a significant example of his early catalog, capturing a specific moment in his journey toward sonic innovation.