Dhoondo Dhoondo Re Saajna
Lata Mangeshkar · Other Songs - Lata Mangeshkar
Dhoondo re saajna
More kaan ka baala, oh
Dhoondo dhoondo re saajna
Dhoondo re saajna
More kaan ka baala
Mora baala chanda ka jaise haala re - 2
Jaame laale laale haan
Jaame laale laale motiyan ke latke maala
Main soyi thi apni atariya
Thagva ne daaka daala
Lut gayi nindiya, gir gayi bindiya
Kaanon se khul gaya baala balam
Mora baala chanda ka jaise haala re
Jaame laale laale haan
Jaame laale laale motiyan ke latke maala
Oh, dhoondo dhoondo re saajna
Dhoondo re saajna
More kaan ka baala
Baala mora baalepan ka
Ho gayi re jaan ki chori
O chhaila tora manva maila
Laagi najariya tori balam
Mora baala chanda ka jaise haala re
Jaame laale laale haan
Jaame laale laale motiyan ke latke maala
Oh, dhoondo dhoondo re saajna
Dhoondo re saajna
More kaan ka baala
Baala mora sajiya pe gir gaya
Dhoonde re more naina
Na jaanoon piya tune churaai liya
Daiyya re kal ki raina balam
Mora baala chanda ka jaise haala re
Jaame laale laale haan
Jaame laale laale motiyan ke latke maala
Oh, dhoondo dhoondo re saajna
Dhoondo re saajna
More kaan ka baala
Dhoondo Dhoondo Re Saajna
Lata Mangeshkar's 'Dhoondo Dhoondo Re Saajna' stands as a quintessential example of her mastery in the romantic and devotional fusion characteristic of her discography. Recorded during the golden era of Indian playback singing, the track exemplifies her ability to blend delicate emotion with rhythmic precision. As one of her most celebrated works, the song showcases her signature vocal style, characterized by a rich timbre and nuanced phrasing that has defined the genre for decades. The composition remains a staple in the repertoire of classical and semi-classical enthusiasts, reflecting the enduring appeal of her contributions to Bollywood and traditional Indian music. Her performance on this recording continues to be studied for its technical excellence and emotional depth, cementing her status as a legend in the industry.