Naa Tum Bewafaa Ho
Lata Mangeshkar · Other Songs - Lata Mangeshkar
naa tum bewafaa ho, naa hum bewafaa hain
magar kyaa kare, apanee raahe judaa hai
jahaa thhandee thhandee hawaa chal rahee hai
kisee kee mohabbat wahaa jal rahee hai
jamee aasamaan hum se dono khafa hai
abhee kal talak to mohabbat jawaan thee
milan hee milan thaa, judaayee kahaa thee
magar aaj dono hee beaasaraa hai
jamaanaa kahe meree raahon mein aa jaa
mohabbat kahe meree baahon mein aa jaa
wo samaze naa majabooreeyaan apanee kyaa hai
magar kyaa kare, apanee raahe judaa hai
jahaa thhandee thhandee hawaa chal rahee hai
kisee kee mohabbat wahaa jal rahee hai
jamee aasamaan hum se dono khafa hai
abhee kal talak to mohabbat jawaan thee
milan hee milan thaa, judaayee kahaa thee
magar aaj dono hee beaasaraa hai
jamaanaa kahe meree raahon mein aa jaa
mohabbat kahe meree baahon mein aa jaa
wo samaze naa majabooreeyaan apanee kyaa hai
Naa Tum Bewafaa Ho
Lata Mangeshkar's 'Naa Tum Bewafaa Ho' stands as a quintessential example of her mastery in the romantic and melancholic repertoire of Hindi cinema. Recorded during the golden age of Bollywood, the track exemplifies her ability to convey deep emotion through vocal nuance, blending the classical Hindustani tradition with the evolving styles of film music. As a solo artist, Mangeshkar's voice defined the era, bringing a distinct warmth and sorrow to compositions that explored themes of unrequited love and betrayal. The song remains a staple in her discography, showcasing her versatility and enduring appeal as one of the most celebrated playback singers in Indian history.