Shehnaai Baje Na Baje
Lata Mangeshkar · Other Songs - Lata Mangeshkar
gagan ka tota re takraye
takrakar dono muskaaye
aah hm hmm..
chaand ne sun li unki baat
jaa baitha baadal ke paas
aah hm hmm..
sun baadal ne li angdaai
bund bund mein baat phailaai
gagan ki baat dharti pe aai
kali ne sun li suni sunaai
kali ne phool ko bhed bataya
aah hm hmm..
phool ne bulbul ko samjhaya
bulbul ne bhanvra bulaya
maine rok ke usse sunaya
sunaya sunaya
banke dulhaniya aaj chali hu
main saajan ke dwaare
shehnaai baje na baje - 3
banke dulhaniya aaj chali hu
main saajan ke dwaare
shehnaai baje na baje - 3
(na koi mujhko kajara daale
na koi maang sawaare) - 2
na chahu main ???
na dhol na taaren
na koi meri raahen roke
na koi mujhe roke
banke dulhaniya aaj chali hu
main saajan ke dwaare
shehnaai baje na baje - 3
aah hmm hmm..
(munda mane na mane
ghodi saje na saje) - 2
ho doli uthe na uthe
mehandi lage na lage
na main chahu bindiya shindiya
na main taare shaare
kal tak gusse tujhse
ho gayi jaan se pyare
banke dulhaniya aaj chali hu
main saajan ke dwaare
shehnaai baje na baje - 3
banke dulhaniya aaj chali hu
main saajan ke dwaare
shehnaai baje na baje - 3
Shehnaai Baje Na Baje
Lata Mangeshkar's 'Shehnaai Baje Na Baje' stands as a quintessential example of her mastery in the shehnai and tabla-driven shehnaai genre. Recorded during the golden era of Indian cinema, the track exemplifies her ability to blend classical North Indian instrumentation with the emotive nuances of playback singing. The composition features intricate rhythmic interplay between the shehnai and percussion, creating a vibrant yet melancholic atmosphere characteristic of the period's musical style. Mangeshkar's vocal delivery is both powerful and delicate, navigating the song's complex melodic structure with remarkable precision. As a staple of her discography, this recording highlights her versatility in interpreting folk and semi-classical forms, cementing her legacy as a pivotal figure in Indian music history.