Taqdeer Jaga Kar
Lata Mangeshkar · Other Songs - Lata Mangeshkar
taqadeer jaga kar aai hoon
taqadeer jaga kar aai hoon
jaga kar aai hoon
main ek nai duniya basa kar laai hoon
duniya basa kar laai hoon ) -2
o
kise dil ka sunaauun fasaana
ho
aankh milate hi badala zamaana
zamaana
ho
kise dil ka sunaauun fasaana
aankh milate hi badala zamaana
mere honthon pe geet kisi ke
mere geeton mein bol kushi ke
raseele kuch nagamein chura kar laai hoon
nagamein chura kar laai hoon
ho
hua chupake hi chupake ishaara
ho
mere dil ko mila ik sahaara
sahaara
ho
hua chupake hi chupake ishaara
mere dil ko mila ik sahaara
aai mastaani rut alabeli
dil becha muhabbat le li
kisi ko is dil mein chhupaakar laai hoon
dil mein chhupaakar laai hoon
ho
taqadeer jaga kar aai hoon
taqadeer jaga kar aai hoon
jaga kar aai hoon
main ek nai duniya basa kar laai hoon
duniya basa kar laai hoon
ho
Taqdeer Jaga Kar
Lata Mangeshkar's rendition of 'Taqdeer Jaga Kar' stands as a quintessential example of her mastery over the romantic and devotional fusion prevalent in mid-century Hindi cinema. The song exemplifies her signature vocal style, characterized by a blend of classical training and cinematic flair, delivering a narrative of divine intervention and emotional longing. As a recording from the era of the Golden Age of Bollywood, the track highlights her ability to navigate complex melodic structures while maintaining an intimate connection with the listener. The composition underscores the cultural significance of the 'taqdeer' (fate) motif, a recurring theme in her discography that often intertwines personal sentiment with spiritual reverence. This particular work remains a testament to her enduring legacy as the 'Nightingale of India,' whose voice defined the emotional landscape of Indian music for generations.
