Paradise

Johnny Cash · Other Songs - Johnny Cash

When I was a child my family would travel

Down to Western Kentucky where my parents were born

And there's a backwards old town that's often remembered

So many times that my memories are worn



"And daddy won't you take me back to Muhlenberg County

Down by the green river where paradise lay?"

"Well, I'm sorry my son, but you're too late in asking

Mister Peabody's coal train has hauled it away"



Well, sometimes we'd travel right down the Green River

To the abandoned old prison down by Adrie Hill

Where the air smelled like snakes and we'd shoot with our pistols

But empty pop bottles was all we would kill



"And daddy won't you take me back to Muhlenberg County

Down by the green river where paradise lay?"

"Well, I'm sorry my son, but you're too late in asking

Mister Peabody's coal train has hauled it away"



Then the coal company came with the world's largest shovel

And they tortured the timber and stripped all the land

Well, they dug for their coal till the land was forsaken

Then they wrote it all down as the progress of man



"And daddy won't you take me back to Muhlenberg County

Down by the green river where paradise lay?"

"Well, I'm sorry my son, but you're too late in asking

Mister Peabody's coal train has hauled it away"



When I die let my ashes float down the Green River

Let my soul roll on up to the Rochester dam

I'll be halfway to Heaven with paradise waitin'

Just five miles away from wherever I am



"And daddy won't you take me back to Muhlenberg County

Down by the green river where paradise lay?"

"Well, I'm sorry my son, but you're too late in asking

Mister Peabody's coal train has hauled it away"

Paradise

Johnny Cash's rendition of "Paradise" stands as a testament to his enduring ability to reinterpret material across genres. Known for his deep, resonant baritone and a discography that spans country, rock, and gospel, Cash often selected songs that reflected his personal spiritual journey. This recording captures the Man in Black's signature intensity, blending traditional storytelling with a sense of timeless hope. While the specific album placement for this version varies across different compilations, the track remains a cherished example of Cash's vocal power and emotional depth. It fits seamlessly within his broader catalogue of works that explore themes of redemption and faith, showcasing why his music continues to resonate with audiences decades after his initial rise to fame.