Left Over Love

Brenda Lee · Other Songs - Brenda Lee

(B. Wyrick - T. Woodford)



I can only stand so much

And I can't stand being by myself

Is it asking for too much to want

Someone to call my own

I got so much to give

But no one to give it to, oh, oh, oh

Why is love so hard to find

Isn't there someone else who's lonely too?



Has anybody out there got some left over love

A little your willing to share

Has anybody out there got some left over love

I need a little bit of tenderness

Now and then a warm caress

Has anybody got a little bit of love to spare?



I need sometimes just a touch

After all I'm only human

That's easy enough

If it's all your looking for

But, I finely reached the point

That love means so much more

So if there's someone like me listening

I'm just what your looking for.



Has anybody out there got some left over love

A little your willing to share

Has anybody out there got some left over love

I need a little bit of tenderness

Now and then a warm caress

Has anybody got a little bit of love to spare?



Has anybody out there got some left over love

A little your willing to share

Has anybody out there got some left over love

I need a little bit of tenderness

Now and then a warm caress

Has anybody got a little bit of love to spare?...

About Left Over Love

Brenda Lee's "Left Over Love" stands as a defining track from her early career, capturing the heartbreak and resilience characteristic of early rock and roll. Released during a pivotal era when female vocalists were redefining the genre, the song showcases Lee's distinctive contralto voice and emotional delivery, which became a hallmark of her discography. While often associated with her later work on albums like *Memphis Portrait*, the track reflects the raw, unpolished energy of her pre-fame recordings that established her reputation. The composition, rooted in traditional pop structures, resonated with audiences seeking authentic expressions of sorrow and hope. Lee's performance on this recording helped cement her status as a leading figure in the transition from doo-wop to rock and roll, influencing countless subsequent artists who valued vocal nuance and genuine emotion over polished production.