Hangman's Knee
Rod Stewart · Other Songs - Rod Stewart
Hangman, hangman, slack your noose
Slack it, oh slack it
Slack it for a while
There ain't no use in your hurrying me
Ain't nothing gonna change things now
Now I ain't trying to prove your judge is wrong
And your jury, oh your jury
I guess I'll know the way out
And if you kill me with my canvas shirt
Good god, you could put my lawyer in jail
Listen
It's just this twenty two minutes to prepare yourself
I haven't been in this position before
Wash your hands, get your .? .
Find the waistcoat, lock the door.
And oh!
Get your .? .
Oh yeah, get your .? . lock the door
Come on
Listen to this one
Oh hangman, hangman, slack your noose
Oh slack it, please slack it
Oh just slack it awhile, give me one more chance
There ain't no use in you hurryin' me
Good god, nothing's gonna stop me now
Oh
Don't you worry
Cause you never get your .? .
Well, might get your waistcoat on
Ha-ha
Heh-heh
About Hangman's Knee
Rod Stewart's "Hangman's Knee" stands as a defining track from his 1971 album *Atlantic Crossing*, capturing the quintessential British Invasion sound of the early 1970s. The song blends Stewart's signature smooth vocal delivery with a driving rhythm section, characteristic of the era's pop-rock and R&B influences. Released during a period where Stewart was solidifying his status as a major international star, the recording showcases his ability to navigate complex chord progressions while maintaining a melodic hook that resonated with audiences worldwide. Musically, the track exemplifies the polished production standards of the time, featuring a blend of electric guitar riffs and steady drumming that supported Stewart's charismatic performance. It reflects the broader cultural shift toward rock and roll revivalism, where artists like Stewart drew heavily from American blues and R&B roots to craft a distinctively British yet universally appealing sound. The song remains a staple of his discography, often cited as a prime example of his early work that bridged the gap between his Scottish folk origins and his mainstream rock success.