The Wraith: Shangri-La - Birthday Bitches
Insane Clown Posse · Other Songs - Insane Clown Posse
Everybody sit around right here.
Because Shaggy the clown has a present for everybody.
[Shaggy 2 Dope:]I got your fuckin' present hangin'
next to my nuts, now when i'm swinging on my hatchet,
if it hits you it cuts.Don't make me chop your head
in half, and smack the side with your cheeks.
Because i haven't had my mineral in almost a week,
your fuckin' momma brought me here to entertain your
ass.So no matter what i'm doin' i expect you to laugh.Now
when you see me do a trick,
and if it isn't even funny,
give me props, unless you want your little necks bloody.I
could probably do a cartwheel or something if you move
the couch, but that ain't what i'm fuckin' about.
I could sew your motuh shut,
and pump air in through your nose.
And fuckin' pop your head but we'd get blood on our
chlothes.Look, i'm a wicked clown,
i ain't no fuckin' superhero.
Ain't a big and scary, though I fly like little Ray
Mysterio.I'm quick to beat down all you little bitches
right in front of your mom and if the bitch get's heated,
tell her, bring it on!
[Chorus:]Oh shit it's your birthday, oh no it isn't.
It's somebody's birthday, oh no it isn't.
Oh shit it's your birthday, oh no it isn't.
It's your birthday.[x1]
[Violent J:]It ain't mine motha facko.
The Wraith: Shangri-La - Birthday Bitches
This track by Insane Clown Posse exemplifies the group's signature blend of horror punk and hip-hop, delivered with their trademark theatrical intensity. The song features the band's distinctive vocal harmonies layered over a driving, distorted beat that defines their sound in the nu-metal and hardcore rap genres. Released as part of their broader discography, the recording captures the chaotic energy and dark humor characteristic of the JC4 era. It serves as a staple in their live performances, showcasing the group's ability to merge aggressive instrumentation with catchy, repetitive hooks. The work remains a significant representation of the band's influence on the alternative metal scene of the late 1990s and early 2000s.