Shine, Jesus Shine
Cliff Richard · Other Songs - Cliff Richard
Shine, Jesus shine
Lord the Light or Your Love is shining,
In the midst of the darkness shining,
Jesus light of the world shine upon us,
Set us free by the truth You now bring us,
Shine on me. Shine on me.
Shine Jesus shine
Fill this land with the Father's glory
Blaze, Spirit blaze,
Set our hearts on fire
Flow, river flow
Flood the nations with grace and mercy
Send forth Your word
Lord and let there be light.
Lord I come to Your awesome presence,
From the shadows into Your radiance,
By the blood I may enter Your brightness,
Search me, try me, consume all my darkness,
Shine on me. Shine on me.
As we gaze on Your kindly brightness.
So our faces display Your likeness.
Ever changing from glory to glory,
Mirrored here may our lives tell Your story.
Shine on me. Shine on me.
Lord the Light or Your Love is shining,
In the midst of the darkness shining,
Jesus light of the world shine upon us,
Set us free by the truth You now bring us,
Shine on me. Shine on me.
Shine Jesus shine
Fill this land with the Father's glory
Blaze, Spirit blaze,
Set our hearts on fire
Flow, river flow
Flood the nations with grace and mercy
Send forth Your word
Lord and let there be light.
Lord I come to Your awesome presence,
From the shadows into Your radiance,
By the blood I may enter Your brightness,
Search me, try me, consume all my darkness,
Shine on me. Shine on me.
As we gaze on Your kindly brightness.
So our faces display Your likeness.
Ever changing from glory to glory,
Mirrored here may our lives tell Your story.
Shine on me. Shine on me.
Shine, Jesus Shine
Recorded by Cliff Richard, "Shine, Jesus Shine" stands as a prominent example of his mid-1960s gospel-influenced pop repertoire. The track reflects the artist's deep engagement with religious themes during a period when he frequently blended traditional church music with contemporary pop sensibilities. As part of his broader discography, the song exemplifies the era's tendency to merge spiritual devotion with mainstream appeal, characteristic of Richard's work in the United Kingdom. It remains a significant song in his catalog, showcasing his vocal delivery and the production style of the time, which often featured lush harmonies and driving rhythms designed for both church and concert halls.