Hustlin' (Street Mix)

Rick Ross · Other Songs - Rick Ross

[Intro]

Hustle, hustlin' hustlin'

Hustle, hustlin' hustlin'

Hustle, hustlin' hustlin'

Hustle, hustlin' hustlin'

Hustle, hustlin' hustlin'

Hustle, hustlin' hustlin'

Hustle, hustlin' hustlin'



Everyday I'm hustlin'

Everyday I'm hustlin'

Everyday I'm hustlin'

Everyday I'm hustlin'

Everyday I'm hustlin'

Everyday I'm, everyday I'm, everyday I'm hustlin'

Ev-ev-ev-everyday I'm hustlin'

Everyday I'm hustlin'

Ev-ev-ev-everyday I'm hustlin'

Ev-ev-everyday I'm, everyday I'm, everyday I'm hustlin'

Everyday I'm hustlin' hustlin' hustlin' hust-hustlin'



[Busta Rhymes: speaking over Intro]

Hey yo, Rick Ross

I had the wild coke connect from niggaz from South America

My Guyanese niggaz used to hit me off, ha ha ha ha

Flipmode bitch, yeah

Busta Rhymes, Rick Ross

Now I think you niggaz know what it is

See when the Reaganomics of it was poppin' off

We used to get that inconceivable pop

Rick Ross, go 'head and talk to 'em



[Verse 1: Rick Ross]

Who the fuck you think you fuckin' with, I'm the fuckin' boss

Seven forty-five, white on white that's fuckin' Ross

I cut 'em wide, I cut 'em long, I cut 'em fat (What)

I keep 'em comin' back (What), we keep 'em comin' back

I'm in the distribution, I'm like Atlantic

I got them motherfuckers flyin' 'cross the Atlantic

I know Pablo, Noriega, the real Noriega

He owe me a hundred favors

I ain't petty nigga, we buy the whole thang

See most of my niggaz really still deal cocaine

My roof back, my money rides

I'm on the pedal, show you what I'm runnin' like

When they snatch black I cry for a hundred nights

He got a hundred bodies, servin' a hundred lifes



[Hook: with Busta Rhymes ad-libs]

Everyday I'm hustlin'

Ev-everyday I'm hustlin'

Everyday I'm hustlin'

Ev-everyday I'm hustlin'

Everyday I'm hustlin'

Everyday I'm hustlin'

Everyday I'm hustlin'

Everyday I'm, everyday I'm



[Verse 2: Busta Rhymes]

I'm on this shit too, I know ya can't believe

Just call me claustrophobia I leave no room to breathe

While other niggaz done lived see I create a scene

Then I get up on my grind and I hustle to another level to another extreme

Amphetamines, weed the empire that I'm building

Even got a coke connect through Pablo Escobar's children

Heard what I said bitch, Pablo Escobar's children

They call me whenever they manufacture the coke shipment

Whenever there is a drought and we need to place an order

I holla at Manuela Escobar, Pablo's daughter

From Columbia through Bahamas, Florida Keys border

Yes, the hunger for enchilada gets hotter please call her

She gets me coke that makes bodies numb once ya fingers in it

So white, the coke got a sparkle like she got crystals in it

Look, out of town my gangsta's bubblin'

See I will flip and sell you any drug cuz I be hustlin'



[Hook]



[Verse 3]

We never steal cars, but we deal hard

Whip it real hard whip it whip it real hard

I caught a charge, I caught a charge

Whip it real hard, whip it whip it real hard

Ain't bout no funny shit still bitches and business

I'm on my money shit still whippin' them Benzs

Major league who catchin' because I'm pitchin'

Jose Canseco just snitchin' because he's finish

I feed 'em steriods to strengthen up all my chickens

They flyin' over Pacific to be specific

Triple C's you know it's back we holdin' sacks

So nigga go on rat, run and tell 'em that

Mo' cars, mo' hoes, mo' clothes, mo blows



[Hook]

About Hustlin' (Street Mix)

Rick Ross's "Hustlin' (Street Mix)" stands as a defining track from his 2006 *Port of Miami* era, capturing the gritty, high-energy essence of Southern hip-hop. Released during a period where Ross solidified his status as a premier figure in the genre, the song exemplifies his signature blend of aggressive flow, street narratives, and unapologetic bravado. The recording features a driving beat that underscores themes of ambition and dominance, characteristic of the mid-2000s boom-bap sound that dominated the landscape. This mix version highlights Ross's ability to command attention through vocal delivery and lyrical content, reinforcing his persona as a hustler at the top of his game. While often associated with the broader *Port of Miami* project, the track's impact extends beyond its album context, serving as a staple in his discography that reflects the raw energy and commercial success of his work during that pivotal time in his career.