Me And Bobby Mcgee
Nana Mouskouri · Other Songs - Nana Mouskouri
And I's feeling nearly as faded as my jeans.
Bobby thumbed a diesel down just before it rained,
It rode us all the way to New Orleans.
I pulled my harpoon out of my dirty red bandanna,
I was playing soft while Bobby sang the blues.
Windshield wipers slapping time, I was holding Bobby's hand in mine,
We sang every song that driver knew.
Freedom is just another word for nothing left to lose,
Nothing don't mean nothing honey if it ain't free, now now.
And feeling good was easy, Lord, when he sang the blues,
You know feeling good was good enough for me,
Good enough for me and my Bobby McGee.
From the Kentucky coal mines to the California sun,
Hey, Bobby shared the secrets of my soul.
Through all kinds of weather, through everything that we done,
Hey Bobby baby kept me from the cold.
One day up near Salinas, Lord, I let him slip away,
He's looking for that home and I hope he finds it,
But I'd trade all of my tomorrows for one single yesterday
To be holding Bobby's body next to mine.
Freedom is just another word for nothing left to lose,
Nothing, that's all that Bobby left me, yeah,
But feeling good was easy, Lord, when he sang the blues,
Hey, feeling good was good enough for me, hmm hmm,
Good enough for me and my Bobby McGee.
La la la, la la la la, la la la, la la la la
La la la la la Bobby McGee.
La la la la la, la la la la la
La la la la la, Bobby McGee, la.
La La la, la la la la la la,
La La la la la la la la la, hey now Bobby now Bobby McGee yeah.
Na na na na na na na na, na na na na na na na na na na na
Hey now Bobby now, Bobby McGee, yeah.
Lord, I'm calling my lover, calling my man,
I said I'm calling my lover just the best I can,
C'mon, where is Bobby now, where is Bobby McGee, yeah,
Lordy Lordy Lordy Lordy Lordy Lordy Lordy Lord
Hey, hey, hey, Bobby McGee, Lord!
Yeah! Whew!
Lordy Lordy Lordy Lordy Lordy Lordy Lordy Lord
Hey, hey, hey, Bobby McGee.
Me And Bobby Mcgee
Nana Mouskouri's rendition of "Me And Bobby Mcgee" stands as a defining example of her ability to blend classical technique with American folk sensibilities. Originally recorded by Gordon Lightfoot, the song was reimagined by Mouskouri to showcase her distinctive mezzo-soprano voice and emotive delivery. The recording captures the melancholic narrative of a love affair ending in separation, delivered with a warmth that became central to her international reputation. Released during a period where Mouskouri was expanding her repertoire beyond opera into popular standards, the track exemplifies her commitment to cross-cultural musical storytelling. It remains a staple in her discography, often featured on compilations highlighting her greatest hits and collaborations with American songwriters. The piece continues to resonate with audiences who appreciate the fusion of vocal artistry and lyrical depth characteristic of her career.