Futures And Pasts [L]
The Fall · Other Songs - The Fall
When a policeman brought my mother home
By the window I didn't scream
I was too old for that
I was in a drunken dream
The pubs were closed
It was three o'clock
At the bottom of the street it seemed
There was a policeman lost in the fog
I understand but I don't see it
I understand but I don't see it
I understand but I don't read it
Futures and Pasts
You can cry for your lost childhood
Will you cry for our lost childhoods?
But remember how you hated it
And worse cause you couldn't state it?
And it's time for the note, see it
And it's time for the note, say it
And it's time for the note, read it
Futures and Pasts
Look at the woman of thirty-nine
Look at the man of forty-nine
You can read their lousy lives
You can see their ugly face lines
They understand but they don't see it
They understand but they don't see it
I understand but I don't read it
Futures and Pasts
I understand but I don't see it
I understand but I don't see it
I understand but I don't read it
Futures and Pasts
Futures And Pasts [L]
The Fall's 'Futures And Pasts [L]' stands as a testament to the band's enduring capacity for reinvention within the post-punk landscape. Mark E. Smith's distinctive vocal delivery and the group's jagged instrumentation create a soundscape that oscillates between introspection and chaotic energy. This recording captures the essence of the band's prolific output, where lyrical themes often explore the tension between memory and anticipation. As part of a vast and varied discography, the track exemplifies the group's refusal to conform to conventional song structures. It remains a compelling song in their catalogue, showcasing the raw, unpolished aesthetic that defined much of their work. The song invites listeners to engage with the complex emotional terrain that The Fall consistently mapped throughout their career.