The $500 Bottle Of Wine

The Fall · Other Songs - The Fall

-A 500 dollar bottle of wine [x2]

-A 500 dollar bottle of wine

-That's all we get for being with him all the time



I give them a 500 bottle of wine

That's all they get most of the time



-A 500 dollar bottle of wine [x2]



Two days in the desert

What did they get

For all of the tears and the grind

A 500 dollar bottle of wine



-We've been through desert

-And blew on our shirts (and Brix' torn our last shirts?)

-And all the lightning and life

-We said so much to (just a) crazy and white (whine?)

-A half filled (no) bottle of wine



-A 500 dollar bottle of wine

-That's all I get man most of the time.



We been through the desert

Went through their last shirts

And all the lightning and crime

A half-filled bottle of wine.



-They're all fat gits and they get on our tits

-They're all fat gits and they get on our tits



That's all you get most of the time

For all the life in crime

The 500 bottle of wine



-Drive (been) through the desert (drive for) in 36 hours

-But when we get the ending we took

-The 500 dollar (bottle) of wine

-A 500 dollar bottle of wine



And I feel real guilty

The babies are squealing

Starving and pleading all the time

A 500 dollar bottle of wine



-A 500 dollar bottle of wine [x5]

-You think it's gonna get on my tits [x2]



They all bitch

They just whinge

And drink my last bottle of wine

I feel real guilty

I been through my last shirt

And I get guilty all the time



-Yeah

-C'mon

-500 dollars



Get down the fucking liquor store boy.

The $500 Bottle Of Wine

Released by The Fall, this track exemplifies the band's signature blend of punk energy and literary lyricism. The song features the distinctive vocal delivery of Mark E. Smith, known for his rapid-fire delivery and cynical worldview. Thematically, it explores themes of consumerism and the absurdity of modern life, characteristic of the group's work during the 1980s. As a staple of their discography, the recording captures the raw, unpolished aesthetic that defined The Fall's contribution to post-punk and alternative rock. It remains a notable example of their ability to transform mundane observations into sharp, memorable musical statements.