Jesus Christ

U2 · Other Songs - U2

Written by Woodie Guthrie



One, two, three, four



Well Jesus was a man

Who traveled through the land

A hard working man and brave

Well he said to the rich 'Give your money to the poor'

For they layed Jesus Christ in his grave

Hale, halelujah

Hale, halelujah

Hale, halelujah

For they layed Jesus Christ is his grave



Well he went to the preacher

He went to the law

And told them all the same

He said sell all your jewelery and give it to the poor

For they layed Jesus Christ in his grave

Hale, halelujah

Hale, halelujah

Hale, halelujah

For they layed Jesus Christ in his grave



When Jesus came to town all the working folks around

Believed what he did say

Well the bankers and the preachers

They nailed him on a cross

For they layed Jesus Christ in his grave



And [hard] working people

They followed him around

They sung and shouted gay

Well the cops and the soldiers

They nailed him in the head

And they layed Jesus Christ in his grave

Oh, hale, halelujah

Hale, halelujah

Hale, halelujah

For they layed Jesus Christ in his grave



Hale, halelujah

Hale, halelujah

Hale, halelujah

For they layed Jesus Christ in his grave



Well this song was written in New York City

A rich man, preacher and slave

Well if Jesus was to preach what he preached in Galilee

They would lay Jesus Christ in his grave

One, two, three, four!



Hale, halelujah

Hale, halelujah

Hale, halelujah

For they layed Jesus Christ in his grave

Hale, halelujah

Hale, halelujah

Hale, halelujah

For they layed Jesus Christ in his grave

Jesus Christ - U2

Released on the 1987 album War, 'Jesus Christ' stands as a defining track in U2's evolution from post-punk revival to expansive rock. The song features the band's signature layered vocals and driving guitar work, blending spiritual themes with the band's signature anthemic sound. It reflects the era's fascination with religious imagery and social commentary, characteristic of The Joshua Tree period's influence on their subsequent work. The recording showcases the group's ability to construct complex sonic landscapes, utilizing multiple vocal harmonies and dynamic shifts that became hallmarks of their later discography. As a staple of their live performances, the track remains a powerful example of mid-80s Irish rock, capturing the tension between faith and modernity that permeates much of their catalog.