Jesus Christ
U2 · Other Songs - U2
One, two, three, four
Well Jesus was a man
Who traveled through the land
A hard working man and brave
Well he said to the rich 'Give your money to the poor'
For they layed Jesus Christ in his grave
Hale, halelujah
Hale, halelujah
Hale, halelujah
For they layed Jesus Christ is his grave
Well he went to the preacher
He went to the law
And told them all the same
He said sell all your jewelery and give it to the poor
For they layed Jesus Christ in his grave
Hale, halelujah
Hale, halelujah
Hale, halelujah
For they layed Jesus Christ in his grave
When Jesus came to town all the working folks around
Believed what he did say
Well the bankers and the preachers
They nailed him on a cross
For they layed Jesus Christ in his grave
And [hard] working people
They followed him around
They sung and shouted gay
Well the cops and the soldiers
They nailed him in the head
And they layed Jesus Christ in his grave
Oh, hale, halelujah
Hale, halelujah
Hale, halelujah
For they layed Jesus Christ in his grave
Hale, halelujah
Hale, halelujah
Hale, halelujah
For they layed Jesus Christ in his grave
Well this song was written in New York City
A rich man, preacher and slave
Well if Jesus was to preach what he preached in Galilee
They would lay Jesus Christ in his grave
One, two, three, four!
Hale, halelujah
Hale, halelujah
Hale, halelujah
For they layed Jesus Christ in his grave
Hale, halelujah
Hale, halelujah
Hale, halelujah
For they layed Jesus Christ in his grave
Jesus Christ - U2
Released on the 1987 album War, 'Jesus Christ' stands as a defining track in U2's evolution from post-punk revival to expansive rock. The song features the band's signature layered vocals and driving guitar work, blending spiritual themes with the band's signature anthemic sound. It reflects the era's fascination with religious imagery and social commentary, characteristic of The Joshua Tree period's influence on their subsequent work. The recording showcases the group's ability to construct complex sonic landscapes, utilizing multiple vocal harmonies and dynamic shifts that became hallmarks of their later discography. As a staple of their live performances, the track remains a powerful example of mid-80s Irish rock, capturing the tension between faith and modernity that permeates much of their catalog.

