3 (Groove Police Club Mix)

Britney Spears · Other Songs - Britney Spears

1, 2, 3, not only you and me got one eighty degrees

and I'm call in between coutin' 1,

2, 3, Peter, Paul and Mary gettin' down with 3P everybody loves oh coutin'



Babe pick a night to come out and play if it's alright

what do you say, Merrier the more triple fun that way

twist it on the floor what do you say.



Are you in? Livin' in sin is the new thing yeah, Are you in? I am coutin'



1, 2, 3, not only you and me got on eighty degrees

and I'm caught in between coutin' 1,

2, 3, Peter, Paul and Mary gettin' down with 3P everybody loves oh coutin'



Three is a charm

Two is not the same

I don't see the harm

So are you game?



Lets' make a team

Make 'em say my name

Lovin' the extreme

Now are you game?



Are - you in

Livin' in sin is the new thing

yeah Are - you in

I am countin'!



1, 2, 3

Not only you and me

Got one eighty degrees

And I'm caught in between

Countin'

1, 2, 3

Peter, Paul & Mary 3

Gettin' down with 3P

Everybody loves (oh)

Countin'

1, 2, 3

Not only you and me

Got one eighty degrees

And I'm caught in between

Countin'

1, 2, 3

Peter, Paul & Mary 3

Gettin' down with 3P

Everybody loves (oh)

Countin'



What we do is innocent

Just for fun and nothin' meant

If you don't like the company

Let's just do it you and me

You and me

Or three

Or four

- On the floor



1, 2, 3

Not only you and me

Got one eighty degrees

And I'm caught in between

Countin'

1, 2, 3

Peter, Paul & Mary 3

Gettin' down with 3P

Everybody loves (oh)

Countin'

1, 2, 3

Not only you and me

Got one eighty degrees

And I'm caught in between

Countin'

1, 2, 3

Peter, Paul & Mary 3

Gettin' down with 3P

Everybody loves (oh)

Countin'

3 (Groove Police Club Mix)

This remix by Britney Spears reimagines her 1999 hit '3' with an energetic club beat, showcasing her signature pop sensibilities during the height of her early career. The track exemplifies the high-energy dance-pop sound that defined the late nineties, blending her distinctive vocal delivery with a driving rhythm designed for nightclubs. As part of her extensive discography, this version highlights her ability to adapt her material for different performance settings while maintaining the song's core identity. It remains a notable example of her work from the era that established her as a global pop icon.