Diamond Dogs
Beck · Other Songs - Beck
You asked for the latest party,
With your silicone hump,
And your ten inch stump,
Dressed like a priest you was,
Tod Browning's freak you was...
Crawling down the alley on your hands and your knees,
I'm sure you're not protected for its plain to see,
The diamond dogs are poachers and they hide behind trees,
Hunt you to the ground they will,
mannequine's with kill apeal
Here they come,
I'll keep a friend serene,
Here they come,
Oh baby come on to me,
Here they come,
Well she's come been and gone
Come out of the garden baby,
You'll catch your death in the fog,
young girls,
young girls, call them the diamond dogs...
In the year of the scavenger,
The season of the bitch,
Sache on the boardwalk,
Scurry to the ditch,
Just another future song,
Lonely little kitch,
There's gonna be sorrow child,
wake up for tomorrow...
Halloween Jack is a real cool cat,
He lives on top of Manhattan Chase,
The elevator's broke so he slides down a rope,
On to the street below,
Oh Tarzan, go man go....
here they come,
I'll keep a friend serene,
Here they come,
Oh baby, come on to me,
Here they come,
Well she's come been and gone...
Come out of the garden baby,
You'll catch your death in the fog,
young girls,
they call them the Diamond dogs...
young girls,
they Call them the diamond dogs.
Call them the diamond dogs,
Call them the diamond dogs,
Call them the diamond dogs, dogs,
Call them the diamond dogs, dogs,
Call them the diamond dogs, dogs...
Diamond Dogs
Beck's rendition of "Diamond Dogs" serves as a standout contribution to the soundtrack for the 2001 film Moulin Rouge!. While the track is famously associated with David Bowie's 1974 album, Beck's interpretation aligns with his signature style of eclectic genre-blending. His version captures the theatrical energy required for the film's narrative, showcasing his ability to reimagine classic material through a modern, alternative lens. This recording highlights his versatility beyond his own discography, demonstrating how he navigates different musical landscapes while maintaining his distinctive vocal character. The performance remains a notable example of his work in film scoring and soundtrack contributions, bridging the gap between rock history and contemporary cinematic soundscapes.

