You've Got To Show
Indigo Girls · Other Songs - Indigo Girls
I've gotten very moody over you
Don't think I don't sense your caution way across the room
Or across the phone line
Big black ocean
Conversation brief
We can't find a clear connection
And I can't get relief
Why don't we both agree we're both afraid
And too afraid to say
If I said count to three
(count to three)
Move toward me
(move toward me)
Would you meet me half way (would you meet me)
There are a thousand things about me
I want only you to know
But I can't got there alone
You've got to show
While you occupy me
I command my dreams each day
To bring you in me even thinly
As the morning chases you away
I half believe if I just picture us
We will come true
Wishful thinking
Or my hopes sinking
Half depends on you
Why don't we both agree
(why don't we both agree)
We're both afraid and too afraid to say
(too afraid to say)
If I said count to three
(count to three)
Move toward me
(move toward me)
Would you meet me half way (would you meet me)
There are a thousand things about me
I want only you to know
But I can't got there alone
You've got to show me
(show me)
You are fully alive
If you want to fly take this dive
If you want to kiss
Kiss for real
I'll give you back everything you feel
Drive and space that peacful place
You'd be my secret sharer
Front and back and all around
The thin margin of error
Ah move to fast or move to slow
Or somewhere in between
Or navigate your perfect distance
Your get away is clean
Why don't we both agree
That we're both afraid
And we're too afraid to say
If I said count to three
Move toward me
Would you meet me half way
Cause there are a thousand things about me
I want only you to know
I want only you to know
I want only you to know
But I can't go there alone
You've got to show
You've Got To Show
You've Got To Show is a track by the American folk rock duo Indigo Girls, featuring the voices of Amy Grant and Emily King. The song belongs to the duo's mid-1990s period, a time when they were establishing themselves as a leading force in the alternative country and folk rock scene. During this era, the group was known for blending acoustic instrumentation with polished production, creating a sound that appealed to both traditional country audiences and listeners exploring the broader American roots music landscape.
Musically, the song reflects the duo's characteristic approach to songwriting, which often centers on intimate, conversational delivery and melodic simplicity. The arrangement supports the vocal performance, allowing the interplay between Grant and King to remain the focal point. This period of their career saw the release of several albums that explored themes of personal growth, relationships, and self-reflection, and the track fits within that broader thematic framework. The genre classification as English-language music aligns with the duo's primary audience and the language in which they have consistently performed.
The song is often discussed in relation to other works from this same era, such as Half Moon Cafe, which became a significant hit for the group. While Half Moon Cafe is widely recognized as a standout single, You've Got To Show represents the kind of material that filled out the albums and helped define the duo's artistic identity during their rise to prominence. The related songs listed in the context, including Closer To Fine and Scared To Say We're Friends, further illustrate the range of themes and styles the duo explored during this time, moving from personal narratives to broader social and emotional commentary.
In terms of public reception, the Indigo Girls' mid-1990s output was generally well-received by critics and fans alike, with their albums receiving positive attention for their authenticity and musical craftsmanship. While specific chart positions or award details for this particular track are not provided in the context, the song is part of a body of work that contributed to the duo's lasting reputation in the folk rock and alternative country genres. The track serves as a reminder of the duo's ability to craft songs that are both personally resonant and musically engaging, characteristics that have remained central to their appeal throughout their career.

