My Niggas

2Pac · Other Songs - 2Pac

[2Pac]

HaHa thats right

Allright, Storm mutherfuckers

Ain't really knowing if you can flow or not

So do this shit like last time.



Verse 1



[2Pac]

Holler my name nigga

You riding to scream

Must be a thug with a heart

To be a part of my team

It seems we got a problem

We ain't letting no women

And the feminine side

Has been denied time to give em a try



[Storm]

Finally made it now fuck us

Now who the dopest

The brothers or the sisters

I agree its a mans world

But why must niggaz diss us

I ain't trying to hear it

Witness my thug spirit



[2Pac]

They keep on screaming bitches



[Storm]

Cuz Niggaz love to hear it

Called on my dawgs cuz they rowdy

Then a motherfucker

I love you niggaz like brothers (Pac laughs)

But don't fuck with me



[2Pac]

Oh bad now, look what we got

Miss Billy Badass packing double glocks ugh

So all you niggaz be warned

From the dusk till the dawn

We might trip but I dare you tricks

To fuck around with Storm

We Outlawz I said it and meant it

And when you see my live on tv

Its strictly representing

Now let me hear you scream



Chorus



[2Pac]

This is for my niggaz

Only for my niggaz

For my niggaz

Let me see you throw your hands up



[Storm]

This is for my sistas

Only for my sistas

For my sistas

Let me see you throw your hands up



Verse 2



[2Pac]

Now when I say Pig

You say B-I-G

When I say BadBoy Killa

Then you say ME

When I say Puffy is a punk

You scream word on my life

I wrote this shit while fucking Bigs wife



[Storm]

Now I been told that Lil Kim thinks she hot



[2Pac]

She not



[Storm]

Better get that additude adjusted

Fore I mash your spot



[2Pac]

Plus now Da Brats tripping



[Storm]

Must want an ass whipping



[2Pac and Storm]

We be the first ones to fuck with you

And BadBoy wack bitch



[2Pac]

Busting through Brooklyn

Licking my chops through Queens

Cuz I'm looking for Little Shawn

That bitch ass fiend

I made him scream like last year

Best don't come to California

We don't want your busta ass here



[Storm]

We Outlaw riders

Thugs till we die

Sistas get they groove on



[2Pac and Storm]

Niggaz getting high



[2Pac]

Call me a motherfucking troublemaker

Send me to jail

But watch me bust on L.L.

Now let me hear you scream



Chorus



[2Pac]

This is for my niggaz

Only for my niggaz

For my niggaz

Let me see you throw your hands up



[Storm]

This is for my sistas

Only for my sistas

For my sistas

Let me see you throw your hands up



[2Pac]

This is for my niggaz

Only for my niggaz

For my niggaz

Let me see you throw your hands up



[Storm]

This is for my sistas

Only for my sistas

For my sistas

Let me see you throw your hands up



[2Pac]

This is for my niggaz

Only for my niggaz

For my niggaz

Let me see you throw your hands up



[Storm]

This is for my sistas

Only for my sistas

For my sistas

Let me see you throw your hands up



[2Pac]

This is for the riders

Only for the riders

For the riders

Let me see you throw your hands up



[Storm]

This is for the riders

Only for the riders

For the riders

Let me see you throw your hands up



[2Pac]

This is for the bitches

Only for the bitches

For the bitches

Let me see you throw your hands up



[Storm]

This is for them bustas

Only for them bustas

For them bustas

Let me see you throw your hands up



[2Pac]

This is for my niggaz

Only for my sistas

For my riders

Let me see you throw your hands up



HaHa

Look at it

Did it



[2pac]

We up outta here

2Pac and Storm

Outlaw Immortalz

Death Row WestSide Thuglife bitch...

My Niggas

Tupac Shakur's 'My Niggas' stands as a defining track from his late 1990s output, exemplifying the West Coast G-funk aesthetic that permeated his final recordings. The song features a smooth, laid-back instrumental backdrop over which Shakur delivers introspective verses reflecting on loyalty, betrayal, and the complexities of street life. Released during a period where his discography was being compiled into greatest hits collections, the track captures the matured tone of his later work, moving beyond pure aggression to explore personal relationships and the weight of his public persona. It remains a staple in discussions of 1990s hip-hop, showcasing Shakur's ability to blend social commentary with melodic flow, cementing his legacy as one of the genre's most influential figures.