What's Going On
Hall And Oates · Other Songs - Hall And Oates
Mother, mother, there's too many of you crying
Brother, brother, brother, there's far too many of you dying
You know we'ver got to find a way
To bring some lovin' here today, hey
Father, father, we don't need to escalate
War is not the answer, for only love can conquer hate
You know we've got to find a way
To bring some lovin' here today
Chorus #1:
Picket lines and picket signs
Don't punish me with brutality
Talk to me, so you can see
Oh what's going on, what's going on
Yeah, what's going on, ah, what's going on
Ahhh....
Mother, mother, everybody thinks we're wrong
Ah but who are they to judge us
Simply 'cos our hair is long
Ah you know we'ver got to find a way
To brind some understanding here today
Chorus #2:
Picket lines and picket signs
Don't punish me with brutality
Talk to me, so you can see
What's going on, yeah what's going on
Tell me what's going on, I'll tell you what's going on
Brother, brother, brother, there's far too many of you dying
You know we'ver got to find a way
To bring some lovin' here today, hey
Father, father, we don't need to escalate
War is not the answer, for only love can conquer hate
You know we've got to find a way
To bring some lovin' here today
Chorus #1:
Picket lines and picket signs
Don't punish me with brutality
Talk to me, so you can see
Oh what's going on, what's going on
Yeah, what's going on, ah, what's going on
Ahhh....
Mother, mother, everybody thinks we're wrong
Ah but who are they to judge us
Simply 'cos our hair is long
Ah you know we'ver got to find a way
To brind some understanding here today
Chorus #2:
Picket lines and picket signs
Don't punish me with brutality
Talk to me, so you can see
What's going on, yeah what's going on
Tell me what's going on, I'll tell you what's going on
What's Going On - Hall & Oates
Hall & Oates' "What's Going On" stands as a defining track from their 1977 album *Livetime*, blending the duo's signature blend of smooth pop and soulful R&B. The song captures the late 1970s sound with its lush harmonies and polished production, showcasing Daryl Hall's melodic sensibility and John Oates' rhythmic precision. While often associated with the broader funk and soul revival of the era, the track remains a staple of their discography, reflecting their ability to craft accessible yet emotionally resonant pop songs. It serves as a testament to their early success before they evolved into the more introspective and socially conscious artists known in later decades.