I've Got Some Outside Help I Don't Need
B.B. King · Other Songs - B.B. King
I've said all of your affection is gone baby and your love is growing cold
Hey, I've got a new story to tell you this evening, baby
One that ain't never been told
I went to work the other day
But I thought that I would double back
And that car I saw sitting in front of my door
Looked like a brand new, a brand new Cadillac, yeah!
I ain't got none now baby
I think you've been cheating on me
I believe to my soul baby, that you've given me some outside help
That I don't think I really need
The iceman came by this morning
And you know he didn't leave no ice
The postman came by later baby
And he didn't even ring twice
I think you've been cheating on me
I think you're running out on me
I believe to my soul baby, that you've given me some outside help
That I don't think I really need
Now, I want you to tell the iceman
The next time he'd better leave some ice
And I want you to tell the postman
He'd better ring more than twice
And when I come home from work in the morning
Better still be some groceries on the shelf.
I want to tell that slick insurance man
That he'd better write some insurance on his self.
Yes, I think you've been cheating on me
I think you're running out on me
I believe to my soul baby, that you've given me some help, some help
Some help, I don't really need
I've Got Some Outside Help I Don't Need
Recorded by the legendary blues guitarist B.B. King, this track exemplifies the raw emotional depth characteristic of his solo career. As a staple of the Chicago blues tradition, the song showcases King's mastery of the slide guitar, weaving intricate melodies that convey a sense of self-reliance and resilience. The recording captures the intimate atmosphere of his live performances, where his voice and instrument merge to tell a story of navigating life's challenges without external reliance. Released within the broader context of his extensive discography, the song remains a testament to his ability to translate personal struggle into universal musical expression, cementing his status as a foundational figure in American blues history.

