Be A Boy

Robbie Williams · Take The Crown [2012]

When you're young you hope to be

Menacing in vanity

6 feet tall, maybe more

Bigger now than before



They said it was leaving me

The magic was leaving me

I don't think so

I don't think so



They said it was leaving

They said it went on

Now I could make this last forever

And be a boy, and be a boy



When you're young you hope to see

And carve your name into the street

Bout your words of satellites

That keep the wasted up tonight



They said it was leaving me

The magic was leaving me

I don't think so

I don't think so



They said it was leaving

They said it went on

Now I could make this last forever

And be a boy, and be a boy



There's safety in the jungle

If you treat it like a toy

Make sure you talk to strangers

And be a boy, and be a boy



Be a boy



They said it was leaving me

The magic was leaving me

I don't think so

I don't think so



All of the boys are gonna be someone

The time you caught but it was gone

The time you caught but it was gone

It takes a big man to be someone



All of the boys are gonna be someone

The time you caught but it was gone

The time you caught but it was gone

It takes a big man to be someone



I'm half your age and lived twice your life

And hide on streets, you walk tonight

The time you caught but it's not mine

It takes a big man to be someone



I'm half your age and lived twice your life

And I don't sleep alone tonight

The time you caught but it's not mine

It takes a big man to be someone

Be A Boy

Released in 2012 on Take The Crown, "Be A Boy" represents a significant shift in Robbie Williams' musical direction, blending his signature pop sensibilities with a more mature, reflective tone. The track serves as a poignant exploration of growing up and the complexities of adult relationships, contrasting sharply with the high-energy anthems that defined his earlier career. Recorded during a period where Williams sought to evolve beyond his teen idol status, the song features a polished production that underscores its emotional weight. It stands as a key track on Take The Crown, showcasing his ability to craft songs that resonate with adult audiences while maintaining his distinct vocal identity and melodic strength.