Rocks Off
Robbie Williams · Other Songs - Robbie Williams
Thieves keep thievin'
Whores keep whorin'
Junkies keep scorin'
Trade is on the meat rack
Strip joints full of hunchbacks
Bitches keep bitchin'
Clap keeps itchin'
Ain't no use in prayin'
That's the way it's stayin', baby
Johnny ain't so crazy
He's always got a line for the ladies
(yeah, yeah, yeah)
Get your rocks off
Get your rocks off, honey
Shake it now now
Get'em off downtown
Get your rocks off
Get you rocks off, honey
Shake it now now
Get'em off downtown
Creeps keep crawlin'
Drunks keep fallin'
Teasers keep teasein'
Holy joes are preachin'
Cops keep bustin'
Hustlers keep hustlin'
Death keeps knockin'
Souls are up for auction
Ain't no use in prayin'
That's the way it's stayin', baby
Johnny ain't so crazy
He's always got a line for the ladies
(yeah, yeah, yeah)
Get your rocks off
Get your rocks off, honey
Shake it now now
Get'em off downtown
Get your rocks off
Get you rocks off, honey
Shake it now now
Get'em off downtown
Ain't no use in prayin'
That's the way it's stayin', baby
Johnny ain't so crazy
He's always got a line for the ladies
(yeah, yeah, yeah)
Get your rocks off
Get your rocks off, honey
Shake it now now
Get'em off downtown
Get your rocks off
Get you rocks off, honey
Shake it now now
Get'em off downtown
Rocks Off
Robbie Williams' "Rocks Off" stands as a defining track from his 1997 debut album, "Life Through a Lens." Released during the height of Britpop's commercial dominance, the song blends upbeat pop-rock energy with Williams' signature charismatic vocal delivery and witty lyricism. As a staple of his early discography, it captures the infectious optimism and melodic hooks that characterized his initial rise to fame. The recording exemplifies the genre's fusion of guitar-driven instrumentation with accessible pop structures, cementing its place in his catalog of anthems. While often associated with the broader Britpop movement, the track showcases Williams' unique ability to inject humor and personal flair into mainstream pop-rock, influencing subsequent releases and solidifying his status as a leading figure in late 90s British music.

