Good Ones Go (Interlude)

Drake · Other Songs - Drake

Oh yeah



[Verse 1]

Summer's mine

I swear I said about a hundred times, I'ma need it back

I wish that you would come and find me

Just to tell me that I haven't changed, girl I needed that from you

I'm getting money just taking care of me girl

I'm spending time just taking care of me right now

I'm getting money just taking care of me girl

I should be tired of taking care of me right now



[Hook]

But the good ones go

The good ones go, if you wait too long

But the good ones go

The good ones go, if you wait too long

So you should go

You should go, before you stay too long



[Verse 2]

Don't you go getting married, don't you go get engaged

I know you're getting older, don't have no time to waste

I shouldn't be much longer but you shouldn't have to wait

Can't lose you, can't help it, I'm so sorry, I'm so selfish

Uh, uh, I've been chilling in the city where the money's

thrown high and the girls get down

In case you're starting to wonder why my new shit's sounding so H-town

But when it's all done baby I'm yours if you're still around

She knows, she knows, she knows



[Hook]

But the good ones go

The good ones go, if you wait too long

But the good ones go

The good ones go, if you wait too long

So you should go

You should go, before you stay too long

Good Ones Go (Interlude)

Drake's "Good Ones Go (Interlude)" serves as a rhythmic bridge within his expansive discography, showcasing his signature blend of introspective lyricism and melodic flow. Released during a pivotal period in his career, the track reflects the themes of loyalty and the transient nature of relationships that permeate his work from "Thank Me Later" through "Nothing Was The Same." As an interlude, it functions as a sonic palate cleanser, utilizing a minimalist production style to highlight Drake's vocal cadence and emotional delivery. The song exemplifies his ability to craft atmospheric soundscapes that prioritize mood over complex arrangements, reinforcing his status as a central figure in contemporary hip-hop. Its inclusion in the broader catalog underscores his consistent focus on narrative-driven storytelling and the exploration of personal vulnerability within the genre.