Something In The Air

Sarah Brightman · Other Songs - Sarah Brightman

Sarah Brightman

Deep within your mind you have been blind

Look around and find

There's something in the air



Sometimes I can read it in your eyes

Keep the dream alive

There's something in the air



Don't know why the truth becomes a lie

Makes me wanna cry

There's something in the air



And I can feel it ... Oh yeah

And I can feel it ... Everywhere



Tom Jones

There is something in the air

Our tears will dry tomorrow

No more pain or sorrow

There's something in the air



All the darkness turns to sunlight

(The) dawnig hits the long night

There's something in the air



Sarah Brightman

We can heal the wounds of time together

It'll be forever

There's something in the air

I can feel the love that I desire

Come on take me higher

There's something in the air



Tom Jones

There is something in the air

Our tears will dry tomorrow

No more pain or sorrow

There's something in the air



All the darkness turns to sunlight

(The) dawnig hits the long night

There's something in the air



Sarah Brightman

We can heal the wounds of time together

It'll be forever

There's something in the air

I can feel the Love that I desire

Come on take me higher

There's something in the air

Something In The Air

Sarah Brightman's 'Something In The Air' stands as a poignant addition to her extensive discography, blending her signature operatic vocal technique with atmospheric pop sensibilities. Released during a period where she frequently collaborated with producer Giorgio Moroder, the track exemplifies her ability to craft emotive ballads that bridge classical and contemporary musical landscapes. The song features her distinctive high notes and breathy textures, characteristic of her work in the late 1990s and early 2000s, creating a soundscape that evokes intimacy and longing. While often associated with her broader catalog of romantic ballads, this recording highlights her versatility as a vocalist capable of delivering both delicate whispers and powerful belting. It remains a testament to her enduring appeal in the English-language pop and operatic crossover genres, showcasing a recording that prioritizes emotional resonance over commercial chart dominance.