The Plough Boy

Sarah Brightman · Other Songs - Sarah Brightman

A flaxen-headed cowboy, as simple as may be,

And next a merry plough boy, I whistled o'er the lea;

But now a saucy footman, I strut in worsted lace,

And soon I'll be a butler, and whey my jolly face.

When steward I'm promoted I'll snip the tradesmen's bill,

My master's coffers empty, my pockets for to fill.

When lolling in my charlot so great a man I'll be,

So great a man, so great a man, so great a man I'll be,

You'll forget the little plough boy who whistled o'er the lea.

You'll forget the little plough boy who whistled o'er the lea.



I'll buy votes at elections, and when I've made the pelf,

I'll stand poll for the parliament, and then vote in myself.

Whetever's good for me, sir, I never will oppose:

When all my ayes are sold off, why then I'll sell my noes.

I'll joke, harangue and paragraph, with speeches charm the ear,

And when I'm tired on my legs, then I'll sit down a peer.

In court or city honour so great a man I'll be,

So great a man, so great a man, so great a man I'll be,

You'll forget the little plough boy who whistled o'er the lea.

You'll forget the little plough boy who whistled o'er the lea.

About The Plough Boy

Sarah Brightman's "The Plough Boy" stands as a poignant example of her classical crossover style, blending operatic vocal technique with traditional English folk melodies. Recorded during her early career, the track showcases her ability to interpret period-specific songs with emotional depth and technical precision. The composition features a distinctive ploughing motif in the instrumentation, grounding the ethereal vocals in a rustic, pastoral atmosphere that was characteristic of many folk adaptations from the era. As part of her extensive discography, this recording highlights Brightman's commitment to preserving and revitalizing traditional English music. The song's enduring appeal lies in its narrative quality, which tells a story of rural life without relying on explicit lyrical exposition. It remains a staple in her live performances and studio recordings, demonstrating how classical training can seamlessly integrate with folk traditions to create a unique and timeless musical experience.