Not Everybody Likes Us

Hank Williams Sr. · Other Songs - Hank Williams Sr.

Well, hello there folks, how the hell are you doin':

It's good to be in your local bar again.

So let's get loud, we'll get stoned an' get proud,

Have a damn good time until the show's at an' end.

Sometimes I'm wired an' sometimes, I'm tired,

But I'm doin' the best that I can.

So let's have a drink and a glum with Hank,

An' may the outlaws rise again.



Well I'm a son of a son:

I've got a chip of what I've said an' done.

Well, I remember watchin' ol' Waylon,

When he was shootin' his shotgun.

It's a certain kinda livin',

It's a certain kinda style.

Not everybody likes us,

But we we drive some folks wild.



-Instrumental Break-



Well I think I'd rather eat the barrel,

Of a double-barrel loaded shotgun,

Than to hear that shit they call pop-country music,

On ninety-eight-point-one.

Just so you know, so it's it's set in stone,

Kid Rock don't come from where I come from:

Yeah, it's true, he's a Yank, he ain't no son of Hank:

If you even thought so, god-damn, you're fucking dumb.



So let's get real loud:

Let's get stoned and proud.

Pour me another shot of whiskey,

An' this one's for the south.

It's a certain kinda livin',

It's a certain kinda style.

Not everybody likes us,

But we we drive some folks wild.

Not everybody likes us,

But we we drive some folks wild.

Not everybody likes us,

But we we drive some folks wild.

Not Everybody Likes Us

Hank Williams Sr.'s 'Not Everybody Likes Us' stands as a quintessential example of his mastery in country and western music, blending traditional instrumentation with a deeply personal narrative. Recorded during the height of his career, the track exemplifies his ability to craft songs that resonate with universal themes of isolation and the complexities of human relationships. Williams' signature vocal style delivers the lyrics with a raw, emotive intensity that became a hallmark of his discography. The recording captures the acoustic texture and emotional depth characteristic of his work, reflecting the era's musical landscape where storytelling remained central to the genre. This song remains a significant song in his catalog, showcasing his talent for translating personal sentiment into enduring art that continues to influence country music today.