The Wassail Song
Religious Music · Other Songs - Religious Music
Among the leaves so green,
Here we come a-wand'ring
So fair to be seen.
Love and joy come to you,
And to you your wassail, too,
And God bless you, and send you
A Happy New Year,
And God send you a Happy New Year.
We are not daily beggers
That beg from door to door,
But we are neighbors' children
Whom you have seen before
Love and joy come to you,
And to you your wassail, too,
And God bless you, and send you
A Happy New Year,
And God send you a Happy New Year.
Good master and good mistress,
As you sit beside the fire,
Pray think of us poor children
Who wander in the mire.
Love and joy come to you,
And to you your wassail, too,
And God bless you, and send you
A Happy New Year,
And God send you a Happy New Year.
We have a little purse
Made of ratching leather skin;
We want some of your small change
To line it well within.
Love and joy come to you,
And to you your wassail, too,
And God bless you, and send you
A Happy New Year,
And God send you a Happy New Year.
Bring us out a table
And spread it with a cloth;
Bring us out a cheese,
And of your Christmas loaf.
Love and joy come to you,
And to you your wassail, too,
And God bless you, and send you
A Happy New Year,
And God send you a Happy New Year.
God bless the master of this house,
Likewise the mistress too;
And all the little children
That round the table go.
Love and joy come to you,
And to you your wassail, too,
And God bless you, and send you
A Happy New Year,
And God send you a Happy New Year.
The Wassail Song - Religious Music
The Wassail Song by Religious Music stands as a significant example of traditional English folk hymnody, reflecting the genre's deep roots in communal worship and seasonal celebration. As a staple of the religious music repertoire, this work embodies the genre's characteristic blend of ancient melodies and devotional lyrics designed for congregational singing. The piece is often associated with winter gatherings and the Wassail tradition, serving as a spiritual anchor for communities seeking connection through song. Its enduring appeal lies in its ability to evoke a sense of historical continuity and shared faith, making it a vital component of the broader landscape of English religious music. The recording captures the solemn yet communal spirit typical of this tradition, offering listeners an authentic glimpse into the musical practices of the past.
