Self - Imposed Exile

Marianne Faithfull · Other Songs - Marianne Faithfull

(marianne faithfull, joe maverty)



Free souls don't live in suburbia (suburbia)

I was stranded, stranded, I must have been blind

Self preservation, the only way to attack (attack attack attack attack)

Chinese numbers tattoed on my back



We were victims of the present time

Juvenile delinquents, fallen angels

Played the part without relief

Broken hearts like leaves on the street

Self preservation, the only way to attack (attack attack attack attack)

Chinese numbers tattoed on my back



Well I'm in self-imposed exile

I'm in self-imposed exile

I'm in self-imposed exile

I'm in self-imposed exile



We were searching, searching for a space

Living for a moment, just a moment

Take what we wanted, don't seem much

Time for time to sit and watch

Self preservation, the only way to attack (attack attack attack attack)

Chinese numbers tattoed on my back



Well I'm in self-imposed exile

I'm in self-imposed exile

I'm in self-imposed exile

I'm in self-imposed exile



Free souls don't live in suburbia (suburbia)

I was stranded, stranded, I must have been blind



I'm in self-imposed exile

I'm in self-imposed exile

I'm in self-imposed exile

I'm in self-imposed exile



We were searching, searching for a space

Living for a moment, just a moment

We were searching, searching for a space

Living for a moment, for a moment

We were searching, searching for a space

Living for a moment, just a moment

We were searching, searching for a space

Living for a moment, for a moment

We were searching, searching for a space

Living for a moment, just a moment

We were searching, searching for a space

Living for a moment, for a moment ...

Self - Imposed Exile

Released on Marianne Faithfull's 1966 album *Faithfull*, "Self - Imposed Exile" stands as a defining track of her transition from the pop sensibilities of the early 1960s to a more introspective, folk-rock sound. The song features a distinctive, haunting vocal performance that captures the melancholic atmosphere of the mid-60s British music scene. Its lyrical content explores themes of personal isolation and emotional detachment, resonating deeply with the era's shifting cultural moods. As part of her broader discography, this recording showcases Faithfull's ability to blend poetic storytelling with a raw, unpolished vocal style that would become her signature. The track remains a notable example of her work during a pivotal period in her career, reflecting the artistic evolution that characterized her subsequent albums.