Have I told you lately that I love you
Roger Whittaker · Other Songs - Roger Whittaker
Have I told you there's no one else above you
Fill my heart with gladness
take away all my sadness
ease my troubles that's what you do
For the morning sun in all it's glory
greets the day with hope and comfort too
You fill my life with laughter
and somehow you make it better
ease my troubles that's what you do
There's a love that's divine
and it's yours and it's mine like the sun
And at the end of the day
we should give thanks and pray
to the one, to the one
Have I told you lately that I love you
Have I told you there's no one else above you
Fill my heart with gladness
take away all my sadness
ease my troubles that's what you do
There's a love that's divine
and it's yours and it's mine like the sun
And at the end of the day
we should give thanks and pray
to the one, to the one
And have I told you lately that I love you
Have I told you there's no one else above you
You fill my heart with gladness
take away my sadness
ease my troubles that's what you do
Take away all my sadness
fill my life with gladness
ease my troubles that's what you do
Take away all my sadness
fill my life with gladness
ease my troubles that's what you do
About Have I told you lately that I love you
Roger Whittaker's "Have I told you lately that I love you" stands as a quintessential example of his mastery of traditional folk ballads. Recorded in the mid-1960s, the track showcases his signature warm, resonant voice and intricate vocal runs that became hallmarks of his career. While often associated with the British Invasion era, Whittaker's interpretation of this classic love song transcends its origins, blending American folk traditions with his distinctive English baritone. The recording captures a moment of intimate storytelling, emphasizing the emotional depth characteristic of his discography from the mid-1960s through the 1970s. It remains a staple of his catalog, frequently performed live and recorded across various albums, cementing its place in the legacy of folk-pop music.
