Do Nothing Till You Hear From Me

Nat King Cole · Other Songs - Nat King Cole

Someone told someone and someone told me

But they wouldn't hurt you that much

Since everyone spreads the story

With his own little personal touch



Do nothing till you hear from me

Pay no attention to what's said

Why people tear the seam

Of anyone's dreams is over my head?



Do nothing till you hear from me

At least consider our romance

If you should take the words

Of others you've heard, I haven't a chance



True, I've been seen with someone new

That does that mean that I'm untrue?

When we're apart, words in my heart

Reveal how I feel about you



Some kiss may cloud my memory

And other arms may hold the thrill

But please, do nothing till you hear it from me

And you never will



True, I've been seen with someone new

That does that mean that I'm untrue?

When we're apart, words in my heart

Reveal how I feel about you



Some kiss may cloud my memory

And other arms may hold the thrill

But please, do nothing till you hear it from me

And you never will



But please, do nothing till you hear it from me

And you never will

Please do nothing till you hear it from me

And you never will

Don't do nothing you hear

Do Nothing Till You Hear From Me

Nat King Cole's 1959 recording of 'Do Nothing Till You Hear From Me' stands as a quintessential example of mid-century jazz-pop, blending smooth vocal delivery with a sophisticated piano arrangement. The song, originally written by Sammy Cahn and Jimmy Van Heusen, became a signature piece for Cole, showcasing his ability to convey deep emotion through subtle phrasing and a restrained yet compelling performance. Released during the height of his career, the track exemplifies the era's focus on vocal nuance and instrumental elegance, cementing Cole's reputation as a master of the ballad. Its enduring popularity reflects its timeless appeal and its role in defining the standard repertoire of the Great American Songbook. The recording remains a benchmark for vocal jazz, illustrating the artist's mastery of tone and timing without relying on overt dramatics.