Do That To Me One More Time
Tom Jones · Other Songs - Tom Jones
Do that to me one more time
Once is never enough with a girl like you
Ohhh, and do that to me one more time
I can never get enough of a girl like you
Ohhh, kiss me, like you just did
Ohhh, baby, do that to me once again
Pass that by me one more time
Once is never enough for my heart to hear
Ohhh, and do that to me one more time
I can never get enough when I got you here
Ohhh, say the words again like you just did
Ohhh, baby, do that to me once again
Do that to me one more time
Once is never enough with a girl like you
Ohhh, and do that to me one more time
I can never get enough of a girl like you
Ohhh, kiss me like you just did
Ohhh, baby, do that to me once again
Ohhh, baby, do that to me once again.
Once is never enough with a girl like you
Ohhh, and do that to me one more time
I can never get enough of a girl like you
Ohhh, kiss me, like you just did
Ohhh, baby, do that to me once again
Pass that by me one more time
Once is never enough for my heart to hear
Ohhh, and do that to me one more time
I can never get enough when I got you here
Ohhh, say the words again like you just did
Ohhh, baby, do that to me once again
Do that to me one more time
Once is never enough with a girl like you
Ohhh, and do that to me one more time
I can never get enough of a girl like you
Ohhh, kiss me like you just did
Ohhh, baby, do that to me once again
Ohhh, baby, do that to me once again.
About Do That To Me One More Time
Tom Jones' "Do That To Me One More Time" stands as a quintessential example of his mastery over the baritone falsetto, a vocal technique that defined his career and influenced countless singers. Recorded in the mid-1960s, the track exemplifies the smooth, romantic pop style Jones brought to the English language, blending traditional balladry with a modern production sensibility. The song's enduring appeal lies in its melodic simplicity and Jones' ability to convey deep emotion through his distinctive voice, making it a staple of his discography. It remains a powerful demonstration of his skill in interpreting classic love songs, cementing his status as a leading figure in British pop music during the era.