Getaway John

The Kingston Trio · Other Songs - The Kingston Trio

Get away, get away

Get away, get away

Poor John



John Hardy was a fightin' man

Carried a razor ev'ry day

He killed a man in Mobile town

You ought to see my Johnny get away

You ought to see my Johnny get away



Get away

Get away, get away

Poor John



John Hardy was standin' at the bar

So drunk he could not see

Along came a sheriff with a warrant in his hand

"Johnny boy, you'd better come with me

Yeah, Johnny boy, you'd better come with me"



John Hardy had a pretty little gal

Kept her dressed in blue

He saw her in the hangin' crowd

Cryin', "Johnny boy, I'll be true to you

Johnny boy, I'll be true to you"



True to you

True to you, true to you

Poor, John



I've been to the East and I've been to the West

Been this whole world 'round

I've been to the North and I lived in the South

This will be my buryin' ground

This will be my buryin' ground



Well, I've been this wide world over

Been this whole world 'round

Been to the river and I've been baptized

Take me to my buryin' ground



Get away, get away, get away

Getaway John

The Kingston Trio's 1964 recording of 'Getaway John' stands as a pivotal moment in folk-rock history, marking the group's bold transition from traditional acoustic folk to a more electric, rock-oriented sound. Released during a period of significant musical experimentation, the track features the band's signature harmonies layered over a driving rhythm section, reflecting the era's shift toward integrating blues and rock elements within the folk tradition. While the song's origins are rooted in American folk storytelling, its specific arrangement by the trio reimagined the material for a younger, rock-influenced audience. This recording exemplifies the Kingston Trio's ability to evolve their catalogue, maintaining their core vocal style while embracing the sonic textures that would define the mid-1960s folk-rock movement. The piece remains a notable example of how established folk acts navigated changing musical landscapes in the 1960s.