I Think We're Alone Now

Screeching Weasel · Other Songs - Screeching Weasel

"Children, behave", that's what they say when we're together

"And watch how you play", they don't understand



And so we're running just as fast as we can

Holding on to one another's hands

Trying to get away into the night

And then you put your arms around me

And we tumble to the ground



And then you say, "I think we're alone now

There doesn't seem to be anyone around

I think we're alone now

The beating of our hearts is the only sound"



Look at the way, we gotta hide what we're doing

'Cause what would they say if they ever knew?



And so we're running just as fast as we can

Holding on to one another's hands

Trying to get away into the night

And then you put your arms around me

And we tumble to the ground



And then you say, "I think we're alone now

There doesn't seem to be anyone around

I think we're alone now

The beating of our hearts is the only sound"



"I think we're alone now

There doesn't seem to be anyone around

I think we're alone now

The beating of our hearts is the only sound"



"I think we're alone now

There doesn't seem to be anyone around

I think we're alone now

The beating of our hearts is the only sound"

About I Think We're Alone Now

"I Think We're Alone Now" stands as a defining anthem of the 1980s punk revival, spearheaded by Screeching Weasel's frontman, Scott Weinrich. Released during the band's early period, the track exemplifies the raw energy and DIY ethos that characterized the scene, blending aggressive guitar work with a driving rhythm section. The song's lyrics explore themes of isolation and the fleeting nature of intimacy, resonating deeply with listeners who found themselves in similar emotional landscapes. Its enduring popularity stems from its ability to capture the spirit of an era while maintaining a timeless quality that continues to inspire new generations of musicians. The recording remains a staple in the discography of punk and alternative rock, often cited as a pivotal moment in the genre's evolution during the late eighties.