Be Bop A Lula

Yoko Ono · Other Songs - Yoko Ono

Well, be bop a lula, she's my baby,

Be bop a lula, I don't mean maybe;

Be bop a lula, she's my baby,

Be bop a lula, I don't mean maybe.

Be bop a lula, she's my baby love, my baby love, my baby love.



Well, she's the girl in the red blue jeans,

She's the queen of all the teens,

She's the woman that I know,

She's the one that loves me so.



Say, be bop a lula, she's my baby,

Be bop a lula, I don't mean maybe.

Be bop a lula, she's my baby love, my baby love, my baby.



Let's rock!



Well, she's the woman that's got that beat,

She's the woman with the flying feet,



She's the woman that walks around the store,

She's the one who wants me more, more, more.



Say, be bop a lula, she's my baby,

Be bop a lula, I don't mean maybe.

Be bop a lula, she's my baby love, my baby love, my baby.



Let's rock again!



Well, be bop a lula, she's my baby,

Be bop a lula, I don't mean maybe;

Be bop a lula, she's my baby,

Be bop a lula, I don't mean maybe.

Be bop a lula, she's my baby love, my baby love, my baby love.



She's sure my baby love.

Be Bop A Lula

Yoko Ono's rendition of 'Be Bop A Lula' serves as a vibrant example of her eclectic approach to rock and roll standards. Originally a hit for Gene Vincent, the track is reimagined here through Ono's distinctive vocal style, which often blends avant-garde experimentation with accessible pop sensibilities. This recording highlights her ability to reinterpret classic material, infusing it with the energy and theatricality that have defined her long career. As part of her broader discography, the song demonstrates her engagement with the rock canon, bridging the gap between traditional American rock and her own innovative artistic identity. The performance stands as a testament to her enduring influence in the music world, showcasing a playful yet powerful delivery that resonates with both longtime fans and new listeners.