Yes, I'm A Witch - The Brother Brothers
Yoko Ono · Other Songs - Yoko Ono
I don't care what you say
My voice is real, my voice is truth
I don't fit in your ways
I'm not gonna die for you
You might as well face the truth
I'm gonna stick around
For quite awhile
Yes, I'm a witch, I'm a bitch
Each time we don't say what we wanna say, we're dying
Each time we don't say how do we feel, we're dying
Each time we gotta do what we wanna do, we're living
Each time we're open our minds to what we see, we're living
Yes, I'm a witch, I'm a bitch
I don't care what you say
My voice is real, my voice is truth
I don't fit in your ways
I'm not gonna die for you
You might as well face the truth
I'm gonna stick around
For quite awhile
Free you from the ghettos of your minds
Free you from your fears and binds
We know you want things to stay as it is
It's gonna change, baby
It's gonna change, baby doll
It's gonna change, honey ball
It's gonna change, sugarcane
It's gonna change, sweetie legs
So don't try to make cock-pecked people out of us
Don't try to make cock-pecked people out of us
Don't try to make cock-pecked people out of us
Don't try to make cock-pecked people out of us
Yes, I'm a witch, I'm a bitch
I don't care what you say
My voice is real, my voice is truth
I don't fit in your ways
I'm not gonna die for you
You might as well face the truth
I'm gonna stick around
For quite awhile
I'm not gonna die for you
You might as well face the truth
I'm gonna stick around
For quite awhile
I'm a witch, I'm a bitch
I'm a witch
I'm a witch, I'm a bitch
I'm a witch
I'm a witch, I'm a bitch
I'm a witch
I'm a witch, I'm a bitch
I'm a witch
Yes, I'm A Witch - The Brother Brothers
Yoko Ono's 1971 track 'Yes, I'm A Witch' stands as a pivotal moment in her solo career, marking a decisive shift from collaborative work with John Lennon to her own distinct artistic voice. Recorded during the height of the counterculture movement, the song reflects Ono's ongoing exploration of themes surrounding gender, spirituality, and the role of the artist in society. The recording captures the raw, experimental energy characteristic of her early solo output, blending folk and rock elements with her signature conceptual approach. Released alongside her landmark album 'Yoko Ono/Plastic Ono Plastic', the track serves as a powerful declaration of her identity, asserting her independence and creative autonomy within the turbulent cultural landscape of early 1970s New York.