I'll Be Gone
Dwight Yoakam · Guitars, Cadillacs, Etc., Etc. [Deluxe Edition] [2006]
And slip under the sheets
Then I turn and kick the boots off my feet
I pull you close without a word
'Cause there's no need to speak
Girl, beauty like yours is hard to beat
Chorus:
But I'll be gone in the morning,
In the morning I'll be gone
'Cause I'm not one for hanging on
So, Please don't think that you done something wrong
In the morning when you wake and find me gone
Just a look from those fiery eyes can all but erase
The memory of any other's face
And the passion they unleash could cause me to misplace
And lose all track of time without a trace
Chorus:
But I'll be gone in the morning,
In the morning I'll be gone
'Cause I'm not one for hanging on
Please don't think that you done something wrong
In the morning when you wake and find me gone
The sun intrudes and throws
Across the room its golden tracks
Shake the dreams, now it's back to facts
As I turn to leave I know you had what so many lack
Maybe someday that'll bring me back.
Chorus:
But I'll be gone in the morning,
In the morning I'll be gone
'Cause I'm not one for hanging on
Yes, Please don't think that you done something wrong
In the morning when you wake and find me gone
In the morning when you wake and find me gone...
About I'll Be Gone
"I'll Be Gone" stands as a poignant centerpiece on Dwight Yoakam's *Guitars, Cadillacs, Etc., Etc. [Deluxe Edition]*, released in 2006. This track exemplifies Yoakam's signature blend of traditional country storytelling with a modern, polished production style that defined his career during the mid-2000s. The song reflects his enduring ability to craft narratives about loss and departure, themes central to his discography and personal artistic identity. Released during a period where Yoakam was solidifying his status as a leading figure in the Nashville country scene, the recording showcases his characteristic vocal delivery and guitar work. It serves as a testament to his commitment to authentic songwriting, capturing the emotional weight of a lover leaving without the need for explicit lyrical exposition. The track remains a staple of his greatest hits collections, illustrating his consistent contribution to the genre's evolution while honoring the traditions of his predecessors.

