I'll Go Back To Her

Dwight Yoakam · Last Chance for a Thousand Years: Greatest Hits from the 90's [1999]

Chorus:

I'll go back to her where I'm wanted

And maybe I can make up for the wrong

In spite of all I've done she still wants me

So I'll go back to her where I belong.



Walking out on her wasn't easy

But without a second thought I left her there

I gave my all, I did it all to please you

But the more I seemed to do the less you cared.



Chorus:

So I'll go back to her where I'm wanted

And maybe I can make up for the wrong

In spite of all I've done she still wants me

I'll go back to her where I belong.



--- Instrumental ---



You were playing games from the beginning

And any fool could plainly see that you have won

She's waiting there, and there's nothing here to keep me

If you can, then I can't live with what we've done.



Chorus:

I'll go back to her where I'm wanted

Maybe I can make up for the wrong

In spite of all I've done she still wants me

So I'll go back to her where I belong.



Yeah, I'll go back to her where I belong...

About I'll Go Back To Her

"I'll Go Back To Her" stands as a defining track in Dwight Yoakam's catalog, showcasing his mastery of traditional country storytelling within a modern pop-country framework. Recorded for his 1999 greatest hits compilation, the song exemplifies the era's shift toward polished production while retaining the raw narrative voice that characterized his earlier work. The lyrics depict a complex emotional journey, exploring the tension between nostalgia and the desire to return to a past relationship. As a staple of Yoakam's discography, the recording highlights his signature vocal delivery and songwriting ability to craft relatable narratives about love and loss. It remains a popular choice for fans of the genre, reflecting the enduring appeal of his ability to blend classic country themes with contemporary soundscapes. The track serves as a testament to his status as a leading figure in the modern country revival, bridging the gap between traditional roots and mainstream accessibility.