Call Me

Blondie · Livid

Colour me your colour, baby
Colour me your car
Colour me your colour, darling
I know who you are
Come up off your colour chart
I know where you're comin' from
Call me (call me) on the line
Call me, call me any, anytime
Call me (call me) my love
You can call me any day or night
Call me

Cover me with kisses, baby
Cover me with love
Roll me in designer sheets
I'll never get enough
Emotions come, I don't know why
Cover up love's alibi

Call me (call me) on the line
Call me, call me any, anytime
Call me (call me) oh my love
When you're ready we can share the wine
Call me

Ooo-oo-oo-oo-oo, he speaks the languages of love
Ooo-oo-oo-oo-oo, amore, chiamami, chiamami
Ooo-oo-oo-oo-oo, appelle-moi mon cherie, appelle-moi
Anytime, anyplace, anywhere, any way
Anytime, anyplace, anywhere, any day-ay

Call me (call me) my love
Call me, call me any, anytime
Call me (call me) for a ride
Call me, call me for some overtime
Call me (call me) my love
Call me, call me in a sweet design
Call me (call me), call me for your lover's lover's alibi
Call me (call me) on the line
Call me, call me any, anytime
Call me (call me)
Oh, call me, oo-hoo-hah
Call me (call me) my love
Call me, call me any, anytime
[fade]

Call Me

Released on Blondie's 1980 album *Livid*, "Call Me" stands as a pivotal track in the band's evolution from punk energy to polished new wave sophistication. The song features Debbie Harry's iconic, detached vocal delivery, which became a signature element of her persona and the group's sound. Produced by Brian Eno, the recording blends synthesizers and drum machines with a driving rhythm that defined the era's pop landscape. As a key component of Blondie's discography, the track exemplifies the band's ability to merge rock roots with electronic textures, influencing countless artists in the new wave and synth-pop genres. Its enduring popularity highlights the song's status as a definitive work of early 1980s music.