Little Miss
Vybz Kartel · Other Songs - Vybz Kartel
Burch some of these girls need to go back to church.
Si mi aSey up to the Time, you know its Kartel.
Representing for my ladies. Baby!
Si mi aSey ehuh
Under Age. Dont even try.
Walk.Act and think as a Child. Okay
Well alright then
[Chorus:]
Little Miss Big Woman.
Shi Tek Big MAN.
But Shi nuh Big Woman.
then every night sleep out, Wid aBag aMAN.
Shi Swif like..Shi Mus tek har MADA MAN.
Little Miss who?
Little Miss Big Woman. Shi Tek Big MAN.
But you nuh Big Woman.
and every night sleep out, Wid aBag aMAN
Shi Swif like..Shi Mus tek har MADA man.
[Verse 1:]
Hey!
The little gal them now a days want big man.
Suppen long like wey use fi dig yam.
A that Candi a fret pon.
Nuh wey day mi see har aDrink Alockta.Step one;
Shi just lowe Pampers, just lef prom.
Boom pass every little boy start tek man.
Rexton, Dexton, Preston, get slam.
Police do exam, Spanglas and West man.
Yes Man. Benz Man. Lex Man. X-man.
Singa Blinga Mek song bout how she expand.
When Aids test ran, shi fail the exam.
This bigga than penicillin injection.
[Chorus]
[Verse 2:]
Hey !
School girl tell mi sey shi nuh need no tutor.
A pure Executive Man recruiter.
Thats why the college boot her.
The Brown one sey fi har man haffi beA Shooter.
CBR man, nutten pon a scooter.
Gwan Dream On like Martin Luther
She want a Man wey Super.
Smaddi wid whole.heap a fame like Ariv Cooper.
Young girls a trail man. Him a nuh Pied Piper.
Study fi become a star like Mekhi Phifer.
Mi swear sey I will neverrrrrrrrrr
go jail fi nuh girl wey just come outta diaper.
[Chorus]
[Verse 1]
[Chorus]
[Verse 2]
[Chorus ]
Little Miss
Vybz Kartel's 'Little Miss' stands as a defining track in the evolution of modern dancehall, blending traditional rhythms with contemporary production techniques. Released during a period where the genre was absorbing global pop influences, the song exemplifies Kartel's signature ability to craft infectious melodies that prioritize rhythm and vocal flow over complex lyrical narratives. The recording captures the vibrant energy of the mid-2010s dancehall scene, characterized by its fusion of R&B sensibilities and Caribbean percussion. As a staple of Kartel's discography, the track highlights his role in shaping the sound of the era, offering a sonic landscape that resonated widely across the Caribbean and beyond. It remains a quintessential example of the genre's capacity to merge cultural heritage with modern musical trends.