Visa
Vybz Kartel · Other Songs - Vybz Kartel
Weeed makes me fly without visa
Dont give me coke nor crack or rum
Cigarette smoke is just no good
I am juss a ganja man
Makes me fly without visa
Dont give me coke or crack or rum
Cigarette smoke is just no good
[Verse one]
Di weeed, tek me high to another level
Smoke to death by six, reborn a seven
If yuh nuh see me, me gone a heaven
If weed is a sin, call me the marijuana devil
If yuh stress out, smoke fi comfortable
Fi loose weight too, cause it is none fattable
And if yuh dunce, it mek yuh knowledgeable
Haffi bald head like Jordan, rasta man like Tony Rebel
[Chorus]
Weeed makes me fly without visa
Dont give me coke nor crack or rum
Cigarette smoke is just no good
I am juss a ganja man
Makes me fly without visa
Dont give me coke or crack or rum
Cigarette smoke is just no good
[Verse 2]
Some man a real weed wagoniss
Come round fi di high grade breed cannabis
Me gi dem one a this, my yute bad habit
Yuh want a sign pan yuh farid mark- weed god dammit
God dammit if a weeed to bad nyam it
In chalice Jim chronic use weed ????
Me, from the word is chronic
Me a herb Hispanic, herd Catholic and herb Islamic
[Chorus]
Weeed makes me fly without visa
Dont give me coke nor crack or rum
Cigarette smoke is just no good
I am juss a ganja man
Makes me fly without visa
Dont give me coke or crack or rum
Cigarette smoke is just no good
Visa - Vybz Kartel
Released by Jamaican dancehall legend Vybz Kartel, 'Visa' stands as a quintessential example of the genre's rhythmic intensity and lyrical wit. The track exemplifies Kartel's signature style, blending rapid-fire delivery with the characteristic bounce of 2000s dancehall. As a solo recording, it highlights his ability to craft catchy hooks and deliver socially conscious or humorous verses that resonate within the Caribbean music community. The song reflects the era's sound, characterized by heavy basslines and vocal ad-libs that define the dancehall aesthetic. It remains a staple in Kartel's discography, showcasing his enduring influence on the genre and his status as a prominent figure in modern Jamaican music.

